Marc Nash; Meditation Ex-Cathedra

Meditation Ex-Cathedra

When the levee of my mother’s natal waters broke; when the champagne bottle was dashed against her cervix and started my baby hull moving down the rollers of the birth canal; when HMS neonate me was launched into the world, it had no concept of its future obsolescence and scrappage. Of its down the line replacement by another in the lineage fleet, bearing the same name but managing only to serve in effacing the uniqueness of its memory.

It spent its early days all at sea trying to cohere the view through the telescope provided by the visual cortex and processing chip of a brain. These cozening forces of ordinate and abscissa, plotting the flat earth co-ordinates of reality as fixed and immutable. Freud of course would have it that one is also unwittingly consumed by the perspective rendered extant by the sextant; your personal parental poles of latitude and longingtude. From the antipodes of father and mother, when there is a whole host of the rest of the world to explore and chart. Further palimpsested by majusculed school and prescriptive religion. Establishing a moral foundation erected like a hollow Gaudi edifice, with the dislocating wind blowing up a maelstrom through the upright interstices.

Of the heritable venerable three questions for man, ‘Who am I?’, ‘Why am I here?’ and ‘What have I done?’, most who bother to interrogate themselves only get as far as grappling with the first one. The last is a matter for consideration solely on death beds and the second is forsaken because they fail to supply the context of their inevitable death through which all explorations would necessarily be refracted. They remain steadfastly progressively forward looking, rather than applying the singular teleological certitude to their thought processes. So inevitably they come to focus on their identities. The person they are during their brief sojourn on earth. Yet what is the point fixating on something that is ultimately perishable? They also reify love’s existence in order that they will not spend their sojourn alone, but again why would I devote contemplation on something equally fugacious?

Author I took the antipodal approach. Placed myself in the full-length mirror. Over time studied the maculations of the skin, burst blood vessels, the ossific curvature, the protuberances and the loss of sinewy definition. No looking glass could reflect the loss of suppleness, the fitful sleep, the arthritic joints. The physicians had diagnosed my corporeal failings, I was now trying to diagnose myself for my readers. To offer them a speculum into their own being. But stood there in the mirror, pressing and pinching the flesh to see if the nevus had regular contours or not, scrotal bobbins cupped in my hand feeling the spindle for noduled swelling, I have no idea of whether I am of any assistance to my would-be interrogators. As my words are released, I scrutinise them for their effect, but the letters are reversed in the mirror and illegible to me. The audience remains invisible, occluded by my eidolon therein the glass. The author dies twice over; once at the end of his life, the other every day in isolation.

*

Biography

Marc Nash has published 5 collections of flash fiction and his fifth novel will be published by Dead Ink Books in Autumn 2017. He collaborates with video makers to turn some of his flash into digital story telling. He lives & works in London.

Theresa Power; Dancing Shoes

Dancing Shoes

Mummy pretends to be happy but I know she’s not. Her smiles are just a trick. Same as her hugs.

‘Come here and give Mummy a cuddle,’ she says, and then she squeezes me so hard that I can’t move. Her eyes are closed but that doesn’t stop the tears. I want to scream at her to let me go but my mouth won’t work and the words get stuck. Daddy comes into the kitchen but he doesn’t look at us. I wish I was bigger.

‘We better get going,’ he says. Then he tells me to go and get a toy for the car. I gasp for breath when she lets me go and I run as fast as I can to my room.

 

My beautiful ballerina. Just a few twists and she is dancing again, round and round in her shiny pink dress. No one is speaking in the car and Daddy asks me if I want to be a ballerina one day. He doesn’t notice that I don’t answer or that Mummy is crying again. She is sniffling and sighing and every few minutes she lets out a little whimper. She is like a scared puppy and I want to reach out to touch her but I don’t. Daddy turns up the radio.

 

I don’t know where we’re going. I hope we’re going to see Jake. We keep going to visit him at the big garden but he’s never there. There are never any babies there. I whisper to my ballerina that everything is ok. Daddy says to shut that thing up so I stop playing her music in case they send her away too. I promise her that I’ll leave the box open. No more dancing though. She will have to be quiet.

*

Biography

Theresa Power studied English and Sociology at Maynooth University. Her work has previously been published in Spinebind. She lives in Dublin and is currently working on a number of creative projects.

Brian Dunster; The Tangram Enigma

The Tangram Enigma

(Part 3)

             Months could have passed for all we knew. At least, that’s what it felt like crawling through a maze of tunnel systems with very little rest and no food to fill our stomachs. The walls closed in the deeper we went, and our bodies found it difficult to squeeze through the tiny gaps that kept popping up. The Governingmen had sent their entire force after us after Master Morfran blew up a part of the Ministry of Stuff and Things. He had rigged the boilers to explode as a way of escape. He swears he was always on our side and that he only blabbed to President Comfort because he was afraid someone else might have found out. In other words, he was trying to protect us. Natsuki and I found it hard to believe but if he did do it to protect us then we knew we were in his debt. And he was the one guiding us through these tunnels, so we couldn’t be too picky about his intentions.

            “Quit your blabbering back there and keep moving before your legs fall off.”

            Master Morfran stood by his instinctual sense of direction. He explained how he traversed these tunnels as a child, trying to flee radioactive cockroaches and snapping dirt worms. He’d been through it all, or so he said. But his confidence and determination to get us away from the Governingmen’s clutches was undeniable. I couldn’t even imagine what they were going to do to us if they caught us. It was too terrifying to even comprehend. It was the main driving force keeping me going.

            “We’re not far now. Just another couple of turns.”

            Master Morfran believed there is an ancient order deep within Plana Petram called the “Enders”. They sounded pretty dire, but I’d been assured they were quite wise and had an abundance of knowledge not even President Comfort and his cohorts had at their disposal. Natsuki backed up his claim as she recalled a memo with references to the “Enders”, a sizable threat. She said that they were never dealt with and all records of them were destroyed and anybody who would bring them up was made to disappear unexpectedly.

            “Ah, for Goods sake!”

            A dead end. A wall of dirt and muck.

            “I swear it was right here. We took all the right turns… I think.”

            I collapsed to my knees and punched the ground. Tears started to well up in my eyes and it annoyed me because I didn’t have the water to spare for such a moment. Master Morfran paced back and forth and examined the blocked passage. Nothing to him made any sense. He started to scratch at the wall and chip away pieces of dirt and rock. His fingers bled as he continued to burrow. But he wasn’t going anywhere fast. The earth proved too difficult to penetrate with bare hands. He too collapsed to the ground and slumped up against the muddy wall – defeated.
         

“I guess that’s all she voted, folks. I’m sorry. At least I lived a life. Sucks for you kids.”

            Natsuki remained on her feet. She refused to give in to despair. It just wasn’t her style. She placed her hand on my head and it felt warm and comforting. She then moved to examine the dead end, grazing her fingers along the rim of the blocked passage. A sly grin rose on her chapped lips. She ran back to me and lifted me off the ground.

“When I was at my desk and I couldn’t find something I had a little trick to locate it.”

            Master Morfran, inspired by the tone in Natsuki’s voice, climbed up from the ground and rubbed up against us. It was the first time I realised that none of us had showered but that Master Morfran was definitely smellier than either of us. But I was too intrigued and infatuated with Natsuki’s chapped lips moving that nothing could have spoilt what she was about to say.

            “If something went missing the first thing I would do is look up. I had a terrible habit of leaving things on high shelves that I’d just look up and there it was.”

            Natsuki looked up and our heads followed automatically. Above us was hatch with the word, “Dead End” inscribed. Except the A and D of the word DEAD was scratched out and an extra E, R, and S was engraved on the word END. When we read it aloud it was clear we had found them. We had found the “De Enders.”

            On the other side of the hatch was a single room with a round table and four chairs. In each of the chairs there was skeletal remain. They had been dead for some time with no obvious cause of death. This was another disheartening blow for our morale. I was hoping, even if I didn’t fully believe in Master Morfran, to finally get some real answers. Not only answers, but a solution into our particular conundrum. Now where are we to go?

            “You don’t look like Manly Men…”

            A strange voice came from one of the skeletons. We approached cautiously and upon closer examination we discovered a strange glass lens in one of the eyes and a small speaker in the mouth. We leaned in and waited.

            “What do Manly Men look like?”

            I had to break the ice somehow. But it felt strange addressing a skeleton.

            “Not you, anyway. Hold on, I’ll be out in a sec.”
           

            The room shook and debris fell onto our heads. We thought the tunnel was about to cave in. But instead, a great steel door revealed itself behind the skeleton we had be conversing with. On the other side of the door was regular person, in regular clothing, if not irregular in manner. He smiled gleefully at us and threw his arms out wide for a hug. No one dared approach him. It wasn’t because we were afraid of ruining his well groomed attire after an extended period of crawling through muck. No, it was more of his over eagerness in his greeting. That, and we were still getting over the initial shock of finding a room full of corpses.

            “It’s great to finally meet some live faces. It’s been far too long.”

            The man before us was much older than me but somehow seemed younger. And I would consider myself quite young. But he had a way about himself that he seemed childlike. As if he wasn’t from this time at all. His grin never left his face. He just stared at us in pure awe and amazement.

            “Please, grab a seat. Don’t mind the skeletons. Just put them on the ground. They won’t mind. I’m sure they’ll like to stretch their legs anyhow.”

            We looked at each other and slowly took up his offer. We laid the skeletons on cold steel floor and sat down. Natsuki, always the brave one, spoke up first.

            “Who are you?”

            The man’s grin waned slightly. He reached into the back of his mind and pulled out an answer. But it was clear to us that he wasn’t convinced by his own memory.

            “My name is Bob. Bob Robert. The third. I am the son of Rob Robert whose father was, Robert Robert, the astronomer that discovered the comet. That’s him there.”

            Bob Robert pointed to the ground beside me. We didn’t know what to say yet we all had so many questions. But as if he read our mind he spurted out everything that plagued our thoughts. And he did so with the use of light and images which he called hollow projections.

            “So, in the beginning when the world, which yes, was round and voluptuous, a comet was discovered by my dear late father, in which the entire population voted on the worst possible solution to stave off total annihilation. But, of course, it inevitably led to the destruction of the planet and pieces were scattered about the solar system. But my granddad, who wasn’t as dumb as the resounding populace, devised a plan. He built a space station with the help of some very wealthy benefactors. We’ll get back to them shortly. Keeping up so far?”

            Our jaws were wide open. It could have been from the dehydration or lack of food and sleep, but in that moment I believe we were all in total disbelief.

            “Anyway, they built this massive station made from seven different parts to make one whole part and surrounded each section with a sizeable land mass. It was supposed to be the Noah’s ark of its time. The called it the Tangram Station. So, when the comet impacted and blew up the planet the space station flew off into space with a chunk of the Earth’s population. It was supposed to be a whole new beginning and utopia, blah, blah, blah. You guys thirsty?”

            Although we couldn’t get enough of his story our mouths jumped at the opportunity to quench our thirst. Bob gave each of us a small tin can and cracked the lid on top. The water fizzled and tickled our noses. But they tasted delicious.

            “Now, where were we? Ah, yes. The money men. They funded the whole project so naturally they secured a place on the Tangram Station. But they weren’t satisfied with just getting a seat, they wanted the whole place for themselves. Over time they schemed and bribed and murdered their way to the top and overthrew my granddad and his people. They were forced to flee and hide out in the ducts and passageways.”

            I don’t know what kind of water Bob gave us but suddenly I had a burst of energy. I could barely stay still. I needed to do something, anything to release this feeling.

            “Easy on the coke, buddy. Your body will take a while to get used to the sugar.”

            I had no idea what he was talking about but I suddenly felt the urge to rebel. Action was needed and it needed to happen right now.

            “There was one thing that the Money Men, or Manly Men, as they now call themselves, didn’t know. Each section could only support so many people. But when they took over they forced everyone to the top to do their bidding. And now it is collapsing and losing power. If it’s not separated within the next while the whole station will fail.”

            “What can we do to stop that from happening?”

            Natsuki was now feeling the same burst of energy that surged through my body.

            “I don’t know, exactly. Otherwise, I would have done it by now. You see, the Governingmen can’t announce it because they’ll have an uprising on their hands. If we were somehow able to tell the people the truth, then we could take down President Comfort and his regime. But that’s easier said than done. He has a tight grip on what people should and shouldn’t believe. Folks are too scared to oppose. They need solid evidence their lives are in danger.”

            I listened and listened and as I listened I drifted off into my own thoughts. A plan formed in my head. A reckless, stupid, insane plot that could, not only bring down President Comfort and his cronies, but save the Tangram Station and all of its inhabitants. All I needed was a skeleton.

            My heart thumped against my chest but my eyelids grew heavier. It must have been that coke drink from earlier. All the energy I possessed had somehow evaporated and drifted off into the cosmos. I should have taken another one for the road. It could have given me an extra little bit of encouragement I so desperately needed as I walked up to the front doors of the Ministry of Stuff and Things. This was my plan? My great idea? What the heck was I thinking?

            Upon arriving at the gates I was met by several guards who surrounded me immediately. It wasn’t a surprise. While coming here I was greeted by my face on a Most After poster pasted on every wall, window and dog. I had expected to be recognised.

            “Tell President Comfort I can fix the Tangram Station.”

            They threw me in a tiny little cell with no window. I wasn’t dead yet. That was a good sign.
Adrenaline began to soar through my body. Some would call it fear and they wouldn’t be wrong. But it’s a heroic kind of fear. The type of fear you have when you’re about to do something amazing. Or something that will get you killed. I’m hoping for the former. And as I sat there, contemplating the potential success of my plan, I sensed a presence. Standing on the other side of the bars was President Comfort. He looked even more menacing than the first time we had met.

            “You’ve had a busy week, haven’t you? Kidnapping a staff member of the Ministry. Destruction of Governing Men’s guards and property. Resisting arrest. Inciting rebellion. Spreading heresy. And now, saviour of Plana Petram and the Tangram Station? Tell me, how did you come by this information? Did you find Rob Robert and his stooges?”

            “Rob is dead. But his grandson, Bob, lives.”

            “I bet he’s as big an idiot as his grandfather. You know, I paid for this station. I funded the entire project. I saved humanity. That’s why I deserve to be on top. They wanted to let the people rule themselves. As if people are smart enough to do that. That’s what got us in this mess in the first place. People making the decision. Leaders not making the hard choices for them. Someone had to step up and carve a path to a new future.”

            President Comfort drew in heavy breaths. His face turned red and his lips puffed out to gather more moisture from the air. Bob filled us in on his condition back at the De Enders hideout. President Comfort uses a machine meant for long distance space travel to preserve his life. He sleeps in it everynight to slow the aging process. But it seems time is catching up.

            “Now, what do you know of fixing our little problem?”

            I walked closer to the towering monster, tilted my head to meet his stare, filled my lungs with as much oxygen as possible and thought of the plan one final time.

            “I don’t know how to do fix the station. I never did.”

            He did not look pleased. He grabbed the bars with both hands and leaned his face closer.

            “I wanted to know what you planned on doing about the problem. You’re our President after all. Shouldn’t you have a plan to help us?”

            I stood my ground and didn’t even bash an eyelash. president Comfort licked his lips and cracked his jaw over and over in several different ways.

            “Oh, I have a plan. You’re not going to like it, though. In fact, no one will. Well, except those lucky enough to be in my Ministry. We’re almost ready to leave for the land mass below this one. And once we’re safely secured we will jettison Plana Petram into space along with you and everyone else not worthy of our time.”

            There it was. The most powerful man brought down by his own hubris. He didn’t have to blab his entire scheme to me. It would have been better for him if he hadn’t. But he did. It was kind of easy, actually. I knew he would act all superior but I had no idea he would give up everything.

            I watched as his face grew worried as a long, hard earned grin lifted up my cheeks. The light from the cell gleaned off a glass lens in my right eye and President Comfort went from confused to terrified. The lens zoomed in as he backed away from the cell.

            “It wasn’t easy, getting this thing in, but worth it. You just told the entire Plana Petram who you really are and they’re going to be pissed.”

            I wasn’t sure if it was the coke or not, but something crazy hit me at that moment back at the hideout. How did Bob see and hear us when he was in another room? And what if we were to use that same trick to tell the people of Plana Petram the truth. It required the sacrifice of my eye, but I was more than willing to make it.

            Bob got to work on how to distribute the signal. He had, what he called TV monitors, at his disposal. With the help of Master Morfran and Natsuki they strategically placed the TV’s around Plana Petram, using the tunnel system, while I distracted the guards and President Comfort. It was only a matter of getting him to incriminate himself and the rest should fall into place.

            “We’ve got rioters at the gate!”

            An alarm sounded and the guards rushed to thier positions. President Comfort took one last look at me and scurried away. I poked my head out of the bars and watched as he disappeared down the corridor. It was the last we’d ever see of him.
            The guards quickly laid down their arms and surrendered when they realised the Manly Men abandoned them and fled in escape pods. Those pods, according to Bob, only have a week’s worth of oxygen. Who knows if we’ll ever see them again. But if they do return they’ll find things have changed quite a bit.

            We left Plana Petram behind and released it into space. The section drifted off and soon we couldn’t see it anymore. A new governing body was set up by Natsuki who had the most experience of us all to handle such a task. And for the first time ever, Master Morfran was able to work on the surface. He maintained the water for all our horticultural needs.
            Bob became our most popular celebrity. Once every full moon he’d regal us with his stories of the round earth and what life was like before and what people did for entertainment. It was fascinating to hear and at time, a little unbelievable. But who could question him?

            I couldn’t get my old eye back. It’s not a problem. It’s pretty cool actually. But it does freak Natsuki out. I’ve gotten used to wearing a patch over it. Bob keeps yelling, “arrghhh” at me. I have no idea what it means. But for the first time in my life I feel happy. No more repression, no more Ministry of Stuff and Things, no more Manly Men, and most importantly, no more President Comfort. The people are motivated and gleeful. There’s talks of a new homeworld in the fastness of space. Imagine, a whole planet filled with people. It’d be the most miraculous thing in the universe. And if I don’t get to see it, then I’ll be happy knowing that my kids, or my kid’s kids, will one day walk the circumference of a real world.

*

Biography

Brian has an itch… A mighty big itch. But it is no ordinary itch, oh no. It’s an itch for storytelling. Brian creates for a living. He can not see himself doing anything else. He has spent the last ten years building a portfolio of work, producing short films, music videos, and short stories. Brian studied film and television in IADT Dun Laoghaire and since graduating in 2011 has been evolving and honing his skills ever since.  He has won awards for his work, winning Best Student Film at the Kerry Film Festival ion 2011, and has showcased several other projects in numerous festivals across Ireland, including the Jameson International Film Festival and Cork Fastnet Film Festival, to name but a few. Keep up to date on his Facebook page – https://www.facebook.com/dunsterpictures and check out some of his work on Vimeo – https://vimeo.com/briandunster

Mitchell King; The Fairy With The Turquoise Hair

The Fairy With The Turquoise Hair

(Part 3)

Here is the dream. It is always summer in this dream. I have known this dream all my life. I am at a party in the backyard. Everyone is happy. Everyone is there. This is the dream. I see someone at the far end of the table. I get up to hug them because I haven’t seen them in a very long time. They look happy to see me. I am happy to see them. This is a dream. I go to hug and I wake up.

I wanted to show you everything in the world and I told you I had missed you and the fairy and our father weren’t awake yet and I asked you if you remembered me and—
“Why is your hair blue?”
“Dreams. You know how it goes. I’ve missed you so much.”
“Did you Dream me this dress?”
“Yes.”
“It kinda bunches up—is it my birthday or something? Why did you Dream me a present.”
“Because I love you.”
“You’re such a freak.”
You hadn’t noticed some of the other things that I dreamed that weren’t part of your person in this world, but you hadn’t seen a mirror yet, so how could you know your hair kinda glowed like halogen tubing in the dark morning. Maybe you were always like this and I just haven’t seen you in a while so it seems new and strange. Maybe I remembered you wrong—. The whole morning I suppressed tears.
“Is it spring outside?”
“Yeah, you’ve been gone for months.”
“Weird.”
“Yeah.”
“Why am I in your room?”
“We have a fairy living with us and you were gone so dad gave her your room.”
“Let’s make breakfast.”
“Yes.”
I can only appreciate the gradient of sunrise when I am happy. When I am full of light and joy, I can name every color laying horizontally as beautiful. This whole family of color with the same surname—beautiful—pink beautiful, red beautiful, orange beautiful, blue beautiful, turquoise beautiful, navy beautiful, yellow beautiful. On happy mornings it is a family I could believe I have some relation to.
“We should have a party.”
“We should have a party!”
“Yeah?”
“Yeah! A ‘hey I’m back let’s dance’ affair. Maybe this weekend? We could have it in the
backyard.”
“Like a garden party?”
“Exactly! How do you always know what I’m thinking?”
“Well this time of year and all—“
“Just call it twin-telepathy and make me happy.”
“It’s twin-telepathy.”
“Totally twin-telepathy.”
“Totally twin-telepathy.”
“A garden party! A perfect thing. But we’ll have to get rid of that compost heap in the backyard—
not my style.”
I turned my head to a loop to look at the heap of hands in the sunrise and the bricks of
light rising up it revealing more and more and—
“That thing smells terrible! I can’t believe dad put that up.”
And then you headed to the back door. And then you headed off the porch and down the stairs. You walked right up to it. I was behind you. I felt my stomach turn to stone.
“What is this?”
“I’ve been having bad Dreams and we couldn’t—“
The angle of the sun kept rising. The oak tree was bathed in light. The heap of blurring hands were bathed in light. One of them was twitching. One of them was twitching. One of them was twitching and you saw it twitching and you looked at your own hand and your other hand was shaking and—
“I was dead.”
…….
“I am dead.”
…….
And you turned and you looked at me and you cried. And you were shaking so hard that all the hands in the pile started shaking in too. They shook and shook so hard that their molecules began to blur and I could see them blurring and they blurred and shook and then they effervesced into a north wind.
And so did you.
You were dead again.
You were dead again.
You are dead again.
Dad told me the fairy vanished too but left strands of blue hair like cotton candy in an envelope in your room.

*

Biography

Mitchell King is a runaway witch living in Kansas City. Someday he hopes to colonize the moon.

Fiona Perry; Circumnavigation

Circumnavigation

(Part 3)

The subtle tapping sounds were gradually giving way to a deafening humming as if transmitted through loudspeakers. Against this wall of sound, in a sudden moment of crystallised clarity, the purpose of the wasp’s flight pattern was revealed to me.

            The wasp is mapping the nest in minute detail to ensure navigation home.

            I listened to this thought repeat itself in a loop in my head many times before setting it free in a whisper towards the dark corners of the attic. Pins and needles flooded into my hands, bursting like fireworks, and a wave of goose bumps swept down my back. I slowly descended the step ladder and wandered, stunned, towards the kitchen. Lorcan had arrived home and was chatting to Geraldine.

            I slurred, “There’s an enormous wasp’s nest up there,” just before the right side of my mouth froze.

            Geraldine gave a nervous laugh and said, “Oh Jesus, have you been stung on the face?”

            I tried to say, “No” and shake my head but the humming sound was swelling through the attic hatch door and travelling towards me, swallowing words before I had a chance to form them and infusing my hair, bone, blood and brain with vibrational energy as if I were a giant tuning fork.

            “Oh God, Daddy she’s having a stroke!” Geraldine shouted.

            Lorcan lunged in my direction. The torch dropped out of my hand and bounced on the carpet. I had lost all movement in my right arm. Next I remember lying on the floor with Lorcan           kneeling beside me.

            Secrets, voices, thoughts? Cosmic ciphers were rapidly decoding in my mind; glimmers of truth I had known since birth but for some unknown reason had forgotten. These strangely familiar convictions took smooth flight within my consciousness:

 

“The boundary

between skin and

air is an illusion

touchable

shape

epoch

breath into dust

space are merely sacred segments

capable of

convergence, you

the human body                                                                                              are a source of light unbroken

animals shimmer too

but we are only visitors

here                                                                                                    

all the love you have ever received or given

 

shadows you.”

 

 

            In my ecstasy I struggled to tell Lorcan and Geraldine these things, to bring peace to their distraught faces.

            But from the outside, my body was immeasurably still. And the last thing I saw was Lorcan praying over me as he smoothed my eyelids shut.

 

*

 

Now I am here. At this time. And I carry the hum within me.

            From beyond the bedroom door comes the sound of someone padding down the corridor followed by the steady splash of a running shower. It’s time to leave.

            I glide towards Geraldine and touch her hand. As I do so, the humming comes to a startling halt.

            With her eyes still closed she whispers, “Human love. Imperfect but profound. Is meant to be that way.”

            My body brims with brilliant light, buoyant and expectant.

            Released, I swim away to the sound of a baby crying.

*

Biography

Fiona’s short stories and poetry have been published in The Irish Literary Review, Spontaneity Magazine, Into The Void, Dodging The Rain and Skylight47 amongst others. She grew up in Ireland but has lived most of her life in England and Australia. She currently lives near a volcano in New Zealand. Follow her on Twitter @Fionaperry17.

Rachel Stevenson; Play Dead

Play Dead

Everyone was in mourning. Everybody grieved for our golden boy, our North London lad who had made it big in Hollywoodland, starring in a franchise of action movies that the intelligentsia liked for their “psychological depth” and the plebs for their chases and crashes. But now he was dead, killed where he was born, in London town.

            Immediately, a shrine was set up at the side of the road where his car had smashed. There were round the clock grievers, like the paid mourners in Victorian times – the chain coffee shop next to the site had received good publicity for distributing free lattes. I was a bit concerned for their lungs given they were at the side of the North Circular in Hendon.

            I took a quick photo on my phone and uploaded it to twitter. Many other people were doing the same, the site had become a tourist attraction, like Jim Morrison’s grave: people wanted to witness the Steve Evans mourning experience – I was there. I was part of history. One girl was prostrate on the pavement, crying her eyes out. The Samaritans had set up a special number.

            I spent twenty minutes there and then, bored, decided to take the tube down to Tottenham Court Road and do some shopping. I popped into a café and ordered some lunch, but stopped chewing as a man walked into the caff. He had the hood of his top pulled down low and was wearing sunglasses on an overcast day. He had the definite look of someone trying to remain anonymous and failing. I walked over to the man’s table and without asking, sat down. He lowered his menu, looked at me, then raised it again.

            ‘Are you a professional Steve Evans lookalike?’ I said. ‘Is that why you’re trying to remain incognito?’

            ‘Look, man,’ the man said, ‘I’m just trying to get some food here.’ He sounded like an English person doing an American accent. ‘I’ll take a coffee, black, and lasagne,’ he said to the waiter, who was hovering nearby.

             ‘You are him, aren’t you? Steven Evans?’

            ‘He’s dead, man, don’t you read the news?’

            ‘You know, there are already conspiracy theories about your death. That it was the studio head that did it. After your last stretch in rehab, they said that you needed to quit Hollywood.’

            ‘Look, man,’ said the man again, ‘I don’t know who you’re talking about.’

            The microwave in the back pinged and the waiter brought over a plate of lasagne. ‘Coffee’s on its way,’ he said.

            The man picked up his fork and started to eat his pasta. He chewed with an increasing look of horror and eventually spat it out into a serviette.

            ‘Not good?’ I said.

            ‘It tastes fucking appalling,’ he said, in a London accent.

            ‘Let’s see,’ I said. I used his fork to try some. It was fine.

            The waiter brought the coffee and the man tried it, spitting it out into his cup.

            ‘Everything tastes like dust,’ he said. He took off his sunglasses and looked at me. He had a mole on his cheekbone that I’d never noticed in the cinema. Perhaps they airbrushed it out. ‘I don’t know what to do. I’m not hungry or thirsty or tired or happy or anything. I’m just here.’

            ‘A crash like that must have affected you very badly.’

            ‘I remember the crash,’ he said. ‘It’s afterwards I don’t recall. I remember the lights and the fear and the krang of metal. But then, I was walking away. I don’t remember getting out of the car, but I was on the sidewalk and I was walking up the road. I went home and I passed out.’

            ‘Your body was identified by your mother,’ I said. ‘She couldn’t get it wrong, surely. Is the gossip true? Are you trying to leave Hollywood?’

            ‘I like Hollywood,’ he said, ‘I like being rich and having a big house. I came back here to see my mum. I was only in rehab because the studio made me. I threw up at a party – to them, that’s alcoholism. Puritan nation, you know?’

            He tried his coffee again, making a face.

            ‘What happened after you got home? Did you see yourself on the news?’

            ‘Not at first,’ he said. ‘I think I just slept for days. Then when I woke and checked my messages, well, there weren’t any. Nor emails. I tried to ring my agent, then my mum, but I couldn’t get my phone to work. But then I saw that I was dead on the news. I thought maybe it was a hoax by the studio to promote my new film. I saw a picture of myself that the paps took, covered in blood with a big wound through my chest. But that could have been faked. Couldn’t it?’

            Would they go so far as to kill a lookalike, I wondered.

            ‘The thing is,’ he said, ‘I do have a big gash on my chest that wasn’t there before. But how can I be alive if I’m dead, if I’m in the morgue?’

            ‘A case of mistaken identity?’ I mooted, ‘have you been to see your mum?’

            ‘It’d frighten the life out of her. She has a dodgy ticker.’

            I felt awful for him. I reached out and put my hand on his. It was stone cold and I pulled it straight back.

            ‘What’s wrong?’

            ‘You’re freezing.’

            ‘Well I’m dead, aren’t I. Corpses are cold.’

            ‘Show me your gash,’ I said, and then blushed.

            He smiled and unzipped his hooded top, then undid the buttons on his shirt. The wound looked awful, as raw as a butcher’s window.

            ‘May I?’ I pressed my fingers against the scar, which was cold and hard. The waiter, lounging at the counter, regarded us with interest.

            ‘Come on,’ I said, ‘let’s go somewhere else.’

            He left some money on the table for his meal and we went out into the rain, walking up the main road to Warren Street tube. The leaves were mulchy under our feet, reminding me of the time I stood squishily on a dead rat whilst taking a short cut through the cemetery.

            ‘Where do you live?’ I asked.

            ‘I’ve an apartment in Highgate,’ he said.

            ‘Shall we go there?’

            We had to wait five minutes for a High Barnet train, during which time he paced the platform like a polar bear.

            ‘I feel like I should be glad I’m alive,’ he said, ‘but I just feel…uneasy.’

            His flat was beautiful but sparse, no books in the bookshelf, no photos.

            ‘This isn’t my real home,’ he said, looking at me looking around. ‘My home in the hills is where I keep all my stuff. I used to stay at my mum’s, but my agent suggested property investment, what with the London market the way it is.’

            ‘How are you feeling?’ I asked.

            ‘A bit dizzy.’ He sat down on the white sofa, staring straight ahead at nothing. ‘You could ring my agent for me,’ he said, and he pressed some digits on his phone before handing it to me. ‘Go on.’

            ‘What’s his name?’ I whispered as the phone rang.

            ‘Her name’s Jennifer.’ A hoarse voice answered. ‘Yes, what is it?’

            ‘It’s Steve,’ I said, ‘I mean, I have Steve Evans here, to talk to you.’

            ‘What the hell is this?’ said the voice. ‘It’s 5 a.m. What kind of sick fuck prank calls people about their dead clients at five in the morning. Are you insane? How did you get hold of his phone you sick bastard, I’m going to – ‘

            I clicked off.  ‘She doesn’t believe it’s you.’

            ‘She’s a hard cow. We’ll try again later when she’s had her coffee.’

             ‘This is shit, isn’t it,’ he said suddenly, angrily. ‘I’m alive and dead. I’m a survivor of a fatal car crash, I’m Jimmy Dean, I’m Jimmy Dead. I don’t know. If I’m alive, I’ve cheated death, I should be happy, but what’s the point in being alive if I can’t contact anyone, I can’t be in films, I can’t have my life? I could go to the press – ta-da – scoop of the century, but what if there is a body in that morgue, what if they prove it’s me? What then? How could I get a job now, the story’d be more interesting than my role, I’d be forever the guy who came back from the dead. The first zombie filmstar. I’m a ghost, a phantom, a fucking nothing. My career’s done. I’d never be seen as a great actor. It’d be nice for my fans if I came back from the dead, wouldn’t it? But am I really here? You see me, don’t you? And the waiter, he saw me. What if I take a picture and upload it to twitter – a spectre selfie? Here, you do it.’

            I snapped him on my phone but when I tried to look at the picture, there was nothing there.         

           *

Biography

Rachel Stevenson grew up in Doncaster, South Yorkshire and now lives in London, UK. She has contributed to Smoke: A London Peculiar, Here Comes Everyone, A Cuppa And An Armchair book (Createspace Publishing, 2011), The Guardian travel section, Are You Sitting Comfortably podcast, and her work has been made into a short film for the Tate website, narrated by Christopher Eccleston. She completed an MA in Creative Writing (Middlesex University) in 2012, and was longlististed for the Commonwealth Writers’ Prize 2015 and the Royal Academy/PinDrop Short Story Award in 2017.

Sheelagh Russell-Brown; A Room Full of Clocks: A Tale of Time Found

A Room Full of Clocks:  A Tale of Time Found

            He didn’t know how the name was born.  Neither, so they told him, did his parents.  He imagined it coming to them one hot and humid summer afternoon as they lay panting upon the sweat-soaked sheets of the bed on which they’d made him.  His mother’s rounded belly, full almost to bursting with the bones of him, maybe it was the catalyst.

            “Egbert!” his father exclaimed.  “Egbert Eddington!”

            It had a certain ring to it, perhaps they’d thought, a certain wry cleverness.  So he became “Egg,” just like that.  The wry cleverness, the whimsy, was all at his expense.  It held inside its fragile shell his life unlived as yet, only unhatched potential.

            He didn’t know where the ticking came from, the ticking inside the Russian clock shaped like an egg.  It was his first, standing on two thin golden columns, no thicker than a sparrow’s legs, its delicate blue and gold holding inside a rhythmic scratching like the sound of a tiny chick’s ineffectual escape.

            It was his first, and more would follow, until the din within the shop became an assault on all ears but his own. But still they came, the customers, those wanting an artifact of time, a way of touching minutes and days and years long past. 

            “Egbert Eddington, Timepieces,” the sign above the thick blue door cried out.  Pieces of time for sale or rent. 

            No windows giving a glimpse into the space, each corner filled with booms and chimes, with creaking doors opening onto cuckoo’s calls, a rotund man, a Humpty Dumpty man with sparrow’s legs, all dressed in blue and gold, set all the life inside to ticking.  He pulled up chains, wound little dials, set weights into position.  Each hour he checked that all were primed to tell their time.  He waited for the man, the woman, the child whose history was kept inside the ticking chambers. 

            Perhaps a tearful girl of nineteen or twenty might ask to see a watch like that her soldier lover had, returned to her when he did not.  He’d search inside the glass case, listening to the whispering that told him all the lovers’ tales, finding that one that suited.  She’d hold it, smiling, to her ear to hear once more her soldier’s soft endearments.

            Perhaps a mother, now middle-aged, came looking for the nursery clock, shaped like a bunny or a butterfly, that stood beside the nightlight by the crib of a now-grown son whose voice she seldom heard these days. 

            Or an old man, still dapper, a much-polished gold watch and chain hanging from his vest, would pay to spend some time beside a tall grandfather clock.

            “Just like the one that chimed the hours in the hallway outside the room where my own mother died the night that I was born.”

            He’d put his arms around the polished wooden case and croon the soothing words his mother whispered to him only in dreams. 

            For some he’d charge a weekly or a monthly price of admission to the time preserved inside, never more than they could afford.  For some he asked no price at all.  The men and women who had long abandoned present days to dwell forever in the past.  They slept in doorways or in underpasses beneath the rhythmic clatter of trains on tracks above them.  They brought their bags, their baskets, their cardboard mattresses with them, each choosing a piece of time whose bygone sounds would silence for a while the noises in their heads.

            And so years passed.  The room filled up with clocks, with watches, with sundials, and with hourglasses.  He heard each grain of sand falling through the narrow channel, and when all had settled in the depths, he still could hear hushed whispering—“Is it time yet?”  “And now how much longer?”  “Should we begin again?”

            No rays from windows fell on the sundials.  Yet through chinks in door and walls, a tiny beam would move to touch the stone, inconstant as the clouds that masked and then revealed the sun.  As the stone warmed, it gave off a subtle humming, and if he listened closely the voices spoke in unfamiliar words and cadences.

            But all this time he’d never found the clock that spoke to him alone.  He was a part of every other life, of every piece of time that came inside and then departed.  But no life was his own.  In the glass cases of clocks and watches, he saw reflected his egg-like body and felt as if inside a shell of rock-hard crystal.  He could see out, they could see in, neither touching the other.

            One day when all the clocks were clamouring for ears to hear them, a woman entered the empty shop.  Her face was veiled in gauzy black that streamed below a black velvet headpiece.  On each few inches of the veil a tiny spider was embroidered.  He could see from her hands and neck emerging from her black dress that despite the ancient clothing she was still young, perhaps no more than thirty.  She pulled behind her a wooden box on wheels, painted with nursery scenes like those he could remember in his own childhood home.

            He asked her business there.  She raised a hand and took out of the box a clock unlike any he’d ever seen before.  It seemed made by a madman, with bits of this and bits of that, of clocks and watches, sundials and hourglasses.  It was a giant egg with crystal shell and all the workings of life inside, open to view.  At first, its voice was rusty, as if from long disuse, but when she turned a wheel, pulled up a weight, and wound it up, it sang.

            It sang a song like the one the waves make breaking on the shore and running back out again.  It was the tune the moon croons to the stars as they cross paths in the dark skies above.  It pattered like the rain on roofs, lulling those inside to peaceful sleep.  It whispered like the wind in the bare branches of the elms, roared like the gales that bring them down.

            She left as quickly as she’d come, and left the clock behind.  Throughout the day and into the evening, it sang, it roared, it whispered.  But no one but himself seemed to hear its voice as the customers returned. 

            A man had found a clock upon the wall shaped like a little lapdog, with wagging tale to mark the seconds out.  He put his ear against its face and smiled a little, recalling his lost childhood playmate.  A child of nine or maybe ten, thin face ravaged by signs of long sickness, stood before a schoolhouse clock, stern ticking sounding out the passing hours while her classmates longed to be set free.  The voices of the schoolroom came to her, the teacher’s kind and loving hand upon her shoulder, and she not there to share it.

            But no one seemed to hear the clock the woman brought.  None remarked upon its presence on the counter.

            Throughout the day the strange clock sang, slowly and more slowly as the hours passed.  Into the evening it sang, until he turned a wheel, pulled up a weight, and wound it up again.

            It sang until the glass upon its face grew dusty, and he grew dusty with the days and years that passed.  A room full of clocks with this, his prize, that spoke and sang to him alone.  Although at first it soothed him to sleep with the voice of his mother, long forgotten, he now remained awake lest some sound slip by unheard.  Its voice became the only voice he noticed until at last, though they still came, the other listeners paid less and less, and he lived on, not caring much to press them for their fees.  Some even took away with them their timepieces and did not return.

            He sat upon a chair, his spindly legs thrust out in front of him, above the unswept floor, his ear against the crystal egg, and smiled with love on those who entered.  He’d long gone deaf, but still he heard the songs for him alone and trusted that the others heard their own as well.  Some brought him food from time to time, and sat with him to while away the hours, nodding in rhythm with the beating of their hearts.  None knew what songs he heard, but still he smiled.

            He smiled at songs his mother sang, at songs his father had sung to her, even the teasing songs they’d made at school to mock his name and body.  He marked out time in swinging of his legs, now fast, now slow, and then more and more slowly till the crystal face of his strange clock cracked into a thousand stars.             

                 And so he did not notice when living had become the past tense of life in a room full of clocks.           

*

Biography

After having taught at an international high school in the Czech Republic for seven years, Sheelagh Russell-Brown is now a lecturer in English literature and a writing tutor at Saint Mary’s University in Halifax, Nova Scotia, Canada.  Her research interests are in nineteenth- and twentieth-century British and European literature, the portrayal of the Roma in art and literature, and the foregrounding of marginalized female roles in neo-Victorian literature.  She has been published in The Fem e-magazine, in Abridged poetry and art magazine, and in Tales from the Forest e-magazine, and will have a short story published by TSS in November of this year.  She has also won second prize in the first Irish Imbas Celtic Mythology Short Story Contest, and was shortlisted for the second Irish Imbas contest, as well as for the 2016 Fish Publishing Short Memoir Competition.  She is a contributor to Backstory e-magazine, to Understorey e-magazine, and to Historical Honey.

Brian Dunster; The Tangram Enigma

The Tangram Enigma 

(Part 2)

            “Make sure you tighten those pipes firmly together.  You don’t want the steam to blow in your face again, do you?”

            Master Morfran immediately took me under his wing when I arrived to work in the underground chambers below the Ministry of Stuff and Things.  He’s a surly fellow but he does know the ins and outs of the job.  He’s proud of his maintenance skills and likes to brag about how he alone saved the Governingmen from collapse by fixing the heating and returning hot water to the sauna.

            “That was one heck of a day.  They were this close to abandoning Plana Petram.”

            Master Morfran has been working in the chambers since he was my age.  He was too young to remember the destruction of the round world and he doesn’t like to talk about it.  He thinks it’s all a load of hot steam.

            “What does it matter?  Who cares if there was once a round world?  We’re here now.  And we all have to make the best of what we got.”

            Master Morfran doesn’t believe in chasing things that aren’t real.  That is why he has never left the chambers his entire life.  But the long exposure to the cramped, hot passageways have not been kind to his face or body.  His skin has wrinkled like a prune and hangs from his bones. And his posture is bent and broken causing him to look smaller than he actually is.  Due to his condition he has learned to move in a unique way, hobbling from side to side to propel himself forward.

            “Hope is a lost practice best forgotten.  Focus on what is in front of you.  Get the job done.”

            Despite our philosophical differences, Master Morfran has been kind to me for the past several full moons.  He has shown me the art of discipline and patience. He is proud to call me his apprentice.  I respect the man and I have gained much wisdom from his teachings.  I would not have made it this far without him.  The brutal conditions under the Ministry of Stuff and Things are much more harsh than I would have imagined.

            “Don’t get all soppy on me, lad.  Now, pick up the wrench and tighten that bolt.  After we’re done you can sneak off to see your girly for ten minutes.”

           

            Natsuki sits at a solitary desk inside a great hall, directly in front of the elevator that leads to the top floor where the Governingmen reside.  She is secretary to President Comfort and the others and is their only staff member.   While sneaking about the ground floor of the building she caught me but said nothing of the incident to her superiors.  Every night after I braved another scouting mission, I’d always end up teetering at the door on the far side of the hall and admiring her.  At first she was nervous.  I could understand why.  Here’s some guy who shouldn’t be here, staring at girl like a painting with moving eyes.

            “We don’t have long.  I have to type up some reports before midnight for President Comfort.  Maybe tomorrow night we can talk?”

            One night as I approached her door she stood waiting for me.  She smiled and held out her hand.  I didn’t know what to think.  Master Morfran told me from the very beginning that I should trust no one in this world but myself.  That others would betray me and want to hurt me for their own gain.  I thought those were some very wise words at the time.  But at that particular moment I chose to ignore them.  I took  Natsuki’s hand.  Her skin was soft and clean.  Compared to mine her hand seemed like it was crafted from the Goods themselves.  Her eyes glowed bright blue and her crooked smile greeted me with a warmth that is hard to describe.  I chose to trust her in that very moment and from every moment since then.

            “I have some curious information I want discuss with you.  I think it might help with what you’re looking for.  But you better hurry back to the chambers for now.  Security will be making their rounds.”

            Natsuki was fascinated by the elder stories I told.  She could hardly begin to imagine a complete world where one could walk its circumference.  Our land mass, our Plana Petram, is engulfed in a dome and travel beyond it is impossible.  In fact, you’re forbidden to reach within a mile of the dome itself.  Patrols guard it constantly and are ordered to shoot on site.  But sometimes Natsuki and I would sneak away and get as close to the forbidden zone as possible and stare into the vast expanse.  In her eyes I could see all the chunks of rock and debris, floating out in space, come together and connect like a jigsaw puzzle.  Her whole life she had worked for the Governingmen and forced to do their bidding.  While society festered and rotted, she watched as President Comfort and his cronies relished in others suffering. Yet there was nothing she could do.

            “I want to help you find the Tangram Enigma.  I want the world that once was to come together and be whole again.  I want the Governingmen to fall off their high tower and plummet into the graves we’ve dug for them below.”

            I was too afraid to ask for her help.  I knew it was dangerous for her and if she were exposed it could lead to unspeakable things.  Despite the consequences and reality of being murdered or worse, she pressed on in helping me discover the secrets the Governingmen were hiding. 

            I didn’t know if there were seven other Plana Petram’s.  The Tangram Enigma could have been just a fairytale.  Everything I was told came from questionable sources.  But there were enough consistencies in how each elder told their story that some truth had to exist. 

 

            “How was your date, lad?  Remember what I told you, trust no one.  Especially a young lass with her own office.”

            I found it hard to concentrate on work.  Natsuki possibly has evidence that would prove some or all of my theory.  Master Morfran noticed and I’ve never seen him so inquisitive.  He wiggled a mallet in front of my face and grilled me.  He wanted to know what my intentions with Natsuki were and what I was planning on doing if we’re found together.  I’ve never seen him so worried.  His concern frightened me to my core. 

            Natsuki and I fell in love with this wonderful idea of a round world and playing revolutionaries.  But had we considered what the ramifications of our actions would be?  If exposed, the people would declare all-out war.  The Governingmen would have no choice but to defend themselves and use whatever means necessary.  Our way of life would cease to be.  

            “Nothing in life is worth risking peace.  Even if peace is slowly sapping away people’s lives, it’s much better than the alternative.”

            For a man whose spends his time in the dark fixing pipes, he’s very convincing.  But he wasn’t entirely wrong.  People have shown up dead from just uttering the Tangram Enigma.  If I were to expose it, those deaths are on me. 

            “Be comfortable with what you are.  Don’t reach for something out of your range.”

 

            Natsuki waited for me at the entrance to the great hall.  She saw me sneaking about the corridor and ushered me over.  Before I even opened my mouth she grasped my hand and dragged me to her desk.  A glint of excitement in her eyes.  An inflected tone in her voice.

            “While sorting through all President Comforts memos and correspondences to the other Governingmen I came across this.”   

            Natsuki handed me a piece of paper with the initials TTE inscribed at the top.  It was then followed by a desire to immediately discuss preparations for departure of PP and disposal of the excess waste.

            “I have other curious correspondences that relate in similar ways.”

            TTE – The Tangram Enigma.  PP – Plana Pentram.  Are the Governingmen planning on ditching our world to occupy another?  Had they discovered the whereabouts of the other land masses?  My mind raced with so many questions but provided few answers.  It was a start, though.  Natsuki has given us the first solid evidence that proves we are living a lie.

            “What do we do now?  How does this help us?”

            “It doesn’t help you.  It helped me.”

            The voice was deep and calm but sent shivers down our spines.  We turned to find a colossal man standing before us with several armed men, who looked harmless next to him.  I had seen his face many times plastered about Plana Petram but those posters did nothing to prepare me for the sheer magnitude of his presence.  President Comfort made the great hall seem small.  We wanted to run but the doors were already sealed shut.

            “There’s nowhere to go I’m afraid.  Only one way out for you both.”

            “We know about the Tangram Enigma.  We know what you’re planning.”

            Natsuki stood before the giant and held firm.

            “So?  There’s not much you can do about it now, Natsuki.  And to think, I was considering bringing you along.”

            Men with guns surrounded us from all sides.  By the Goods above we have no way out.  And to think we were only just beginning to discover the truth.  Master Morfran was right.  Hope is a lost practice best forgotten.

            “I tried to warn you, lad.”

            Hobbling from behind President Comfort he stops short of me.  Master Morfran cracks his back as he looks up and meets my eyes.  I can read his face; he’s disappointed. 

            “What did I tell you from the beginning?  Never trust anyone.  They’ll only hurt you for their own gain.”

            I couldn’t argue with him.  He had told me that from the start.  I should have expected this.

            “Mr. Morfran was kind enough to warn me of your goings on.  I was amused by your enthusiasm.  You might say I admired it.  But unfortunately we can’t have disorder.  And it is here where we end this little adventure.”

            “I’m sorry, lad.  I can’t have things being disrupted.  I’m too old for it.  Peace comes at a cost. No hard feelings.”

            “Yes, no hard feelings.”

            Presdient Comfort took his gargantuan hand and threw Master Morfran into me.  I managed to catch him in my arms before toppling to the floor.

            “Are you mad?  That could’ve hurt me!”

            “Quiet, you old pipe-cleaner.  By the grace of the Goods you’re lucky I didn’t squash you with my bare hands.  Now die with the ones you betrayed like a good sewer rat.”

            President Comfort returned to the elevator.  As the doors closed his mouth grew wider.  It was hard to tell but it looked like a smile.

            The armed men took aim and cocked their weapons.  I held Natsuki’s hand and drew her close to me.  I was shaking but she remained strong.  Master Morfran muttered under his breath then let out a burst of curse words towards the guards.  I never seen him so animated before.  He turned to us and pulled out several nuts and bolts from his jacket.  A sinister grin formed on his crumbled mouth.

            Just then the floor shook and the marble exploded, giving birth to a cloud of steam.  Several more explosions burst through the floor and filled the great hall in mist.  Screams of men echoed throughout.  The blasts must have gotten them and now the hot steam is melting their flesh.             

            Master Morfran hobbled his way through the misty hall as we followed him.  The steam was quite dense but he waltzed through as if it were a clear day.  The screams eventually died out as we reached the doors.  An explosion had conveniently ble them open and we managed to get through. 

            We made our way out of the Ministry of Stuff and Things and took shelter in a nearby bush.  It provided much needed cover as we catched our breath.  I wanted to punch Master Morfran very much but I could see what little difference that would make to our situation.  We were fugitives from the Governingmen and they would stop at nothing to hunt us down.

            “What do we do now?”

            Natsuki wasn’t concerned about our well being but rather what we plan on doing about President Comfort and the Governingmen.  If not for her I would have certainly given up and scurried into the deepest hole I could find. Which, ironically, is exactly what we did.

*

Biography

Brian has an itch… A mighty big itch. But it is no ordinary itch, oh no. It’s an itch for storytelling. Brian creates for a living. He can not see himself doing anything else. He has spent the last ten years building a portfolio of work, producing short films, music videos, and short stories. Brian studied film and television in IADT Dun Laoghaire and since graduating in 2011 has been evolving and honing his skills ever since.  He has won awards for his work, winning Best Student Film at the Kerry Film Festival ion 2011, and has showcased several other projects in numerous festivals across Ireland, including the Jameson International Film Festival and Cork Fastnet Film Festival, to name but a few. Keep up to date on his Facebook page – https://www.facebook.com/dunsterpictures and check out some of his work on Vimeo – https://vimeo.com/briandunster

Sheelagh Russell-Brown; Lilacs: The Word Collector’s Tale

Lilacs:  The Word Collector’s Tale

            The Scent of Lilacs on the Wind.  Cat and Mouse at Play.  Newly birthed titles, still fresh, inscribed in crimson ink on the ivory pages of the book where she kept such things.  Frost Feathering the Window.  How Large the Sky.

            How small the room she sat in and traced the shapes in crimson ink of all the words she heard.  The world turned dark outside the room, and still she sat and wrote the colours of the universe inside her.  She did not hear the rain, tiny fingers tickling the windows like the ivory keys of a piano, ivory like the paper, nor the mice inside the baseboards as they scratched out their grey yet eager lives.  She’d sat inside this room for months, for years, while seasons turned and passed again.  She did not see the frost flowers on the windows, the scrawny cat who prowled the room, the lilac bush whose purple buds sent out their heady welcome, whose branches tapped at the window, joining the rain in a neglected symphony.  She sat and wrote.

            She wrote, but only titles left their mark, like carvings on a tiny piece of ivory that hinted of things unsaid.  The world’s ephmera condensed into a half a dozen words or so.  She adorned the few words with curlicues and figures.  As if a mediaeval monk within his cell, she reimagined them as fish and fowl, as funny folk engaged in tasks unknown to her in life.  Atop each page a set of words.  Below, blank space still waiting for its story.

            She lived her life within the walls of wood and bricks and paper.  She lived, but did not see, or hear, or smell, or touch, or taste all that it offered.  She saw, but only in the few words she wrote, the street, the people walking on its stones, the trees.  She saw the lilac bush, the frost tracing its tales upon the window, the snow upon the roofs.  She saw but did not see their truth.  She heard the wind scattering the lilac petals that fell to earth, the cries of children playing in the park.  She heard.  The hearing did not touch her life.  She smelled the lilac petals as they fell, as they were crushed by tramping feet, as they were washed by rain.  The Scent of Lilacs on the Wind she wrote.  The petals stirred no memories for her.  Nor did they stir desire.

            She sat inside, collected words, shards of a life that glued together might spell, might speak some meaning if only words would come.

            How Large the Sky she wrote in crimson ink.  How cold her heart.  Her room was small.  How vast the field of white upon the pages.

            One day in spring she woke, ate her small meal, took out the book to write down there the titles that had come to her in sleep.  But as she turned to a new page, The Scent of Lilacs on the Wind had no blank space below it.  Instead, in crimson ink, a half-familiar hand spoke out its story.  She turned the page, and there was more, another page came after that.  She dropped her pen upon the desk and read.

            “The scent of lilacs on the wind entered her dreams.  She stood upon a bare hilltop and raised her arms to the lowering sky.  Her bare feet gripped the cold green grass.  Her gauzy gown blew in the breeze as if, once cloth was filled with air, she could take flight.”

            She read these words and quickly closed the book.  She opened it again.  The words still spoke.

            A mirror stood upon its legs in a long-forgotten corner of the room.  It had been years and many springs since she had looked into its world.  She held the book up to the mirror and saw inside the glass no words except those seven of the title.  She also saw she had no face, no features, was just a shadow on the glass.

            She walked toward the window and held the book into the light.  The words appeared again.  And in the glass she saw reflected a still young face, a puzzled face, her eyes seeking beyond the glass for answers and for stories.

            Again she sat and read a tale of a young girl who fled the world of sorrows and of shadows for a universe of words.  She read of blood that flowed like crimson ink through youthful veins and stirred the passions of the heart to flower like the lilacs gathered in jars upon each empty surface.  The scent of lilacs filled the room as she read on.

            She read on, and the world grew dark outside.  There was no light inside, but still she read, crimson words glowing.  A whole life was held inside them and it spoke.  A simple meal appeared beside a book. She ate and read until she heard the sad yet soothing call of a mourning dove amidst the lilac branches speaking to its mate.  She smiled a little then to see it there upon the pages.

            The door stood open.

*

Biography

After having taught at an international high school in the Czech Republic for seven years, Sheelagh Russell-Brown is now a lecturer in English literature and a writing tutor at Saint Mary’s University in Halifax, Nova Scotia, Canada.  Her research interests are in nineteenth- and twentieth-century British and European literature, the portrayal of the Roma in art and literature, and the foregrounding of marginalized female roles in neo-Victorian literature.  She has been published in The Fem e-magazine, in Abridged poetry and art magazine, and in Tales from the Forest e-magazine, and will have a short story published by TSS in November of this year.  She has also won second prize in the first Irish Imbas Celtic Mythology Short Story Contest, and was shortlisted for the second Irish Imbas contest, as well as for the 2016 Fish Publishing Short Memoir Competition.  She is a contributor to Backstory e-magazine, to Understorey e-magazine, and to Historical Honey.

Colin Watts; The Weight of Dunlins

The Weight of Dunlins                                                      

I was on North Uist, walking the machair, that thin strip of fertile land between beach and peat bog that graces a few of our remote north-western shores. I didn’t really know why I was there. Just to get away, I suppose, though I wasn’t sure what I was getting away from.

On the ferry over, a local man had told me how the sea ground down shells over centuries to form the beach. How westerly winds spread sand over the peat. How calcium in the sand reacted with acid in the bog to form the machair: Gaelic for “the fertile land behind the dunes”. ‘Treat it gently,’ he’d said, ‘it’s a precious gift.’

It was one of those days when late summer meets early autumn; one side of you warmed by the sun, the other chilled by the air. A tang of salt; a breath of peat. The wild flowers were looking tired, ready to lie down for the winter. Though it was mid-afternoon, the light was still so sharp you could have cut yourself on it.

I tried spinning round to mix up the sun and the chill, but felt dizzy and had to sit down. That’s when I saw her, walking along the strand. She wore sandals and a long dress of dark blue cotton. Her hair was that red that so many highland women are blessed with.

‘I saw you spinning,’ she said, as she approached.

I got up, apologised and explained.

‘You should turn more slowly,’ she said, ‘then you wouldn’t get dizzy.’ She had freckles and high cheekbones and her hair glowed like old rust. It moved in waves, though there was scarcely a breeze.

‘Were you looking for something?’ I asked.

‘The wow factor,’ she said.

‘Wow!’ I said.

She laughed. ‘Every day I look for something that makes me go wow! at its beauty or strangeness.’

‘Doesn’t that defeat the object?’ I asked. ‘Looking for it.’

‘No,’ she said; ‘it’s about keeping yourself open, going to new places, meeting new people. You were nearly my wow for today.’

I felt myself blushing.

‘Sorry,’ she said, ‘have I embarrassed you?’

‘No,’ I said. ‘Yes,’ I said. ‘Why only nearly?’

‘Because I didn’t go wow! I have to go wow! for it to work. I only went weird!’

‘Thanks very much!’

‘I meant the situation. You look nice though, quite cuddly – for a Sassenach. And you blush easily. We’ll have tea later. Four o’clock at the museum cafe. See if you can have a wow in the meantime and I’ll try too. Don’t try too hard; just let it happen.’

‘OK,’ I said. ‘We could exchange wows I said,’ blushing again.

‘Ha ha,’ she said, and strode off.

Wow I thought, but it didn’t appear out loud, so I guessed it didn’t count. By then it was after three, so I set about doing whatever it was I had to do to get a wow. I turned round slowly with my eyes shut, counting to five, then set off in the direction I was facing (towards the beach), stepping gently.

When I got to the museum, she was already there in the café, drinking tea.

‘Sorry I’m late,’ I said.

‘You’re not,’ she said. ‘I’m early. I got thirsty. You apologise too much, even for a Sassenach.’ She poured me a cup. ‘Did you have a wow?’

‘I did,’ I said. ‘Did you?’

‘I did, but you must tell me yours first.’

I took out a pebble from my pocket. ‘I’ll show you. When I’m walking on beaches I play this game; I pick up a pebble I like and then try to better it as I go, looking for one more extraordinary, more pleasing, more perfect.’

‘Wow!’ she said. ‘Almost a perfect sphere. And the colours; reds and pinks and greens.’

‘That streak there is the colour of your hair,’ I said. She didn’t blush. I did. ‘Hold it,’ I said; ‘let it roll in the palm of your hand.’

‘It’s like it’s alive. And it feels much heavier than it looks.’

‘I think it must have some iron in it, making it move towards magnetic north.’

‘Or it’s imbued with the power of the sea, and is moved by the moon.’

We drank some tea.

‘Tell me your wow,’ I said.

‘I’ll show you,’ she said. She took a small cardboard box out of her shoulder bag. In it was the skeleton of a young bird.

‘Wow!’ It must have been out there for months.’

‘I think it’s a dunlin, a fledgling. I found it in an abandoned nest. Maybe a fox got the mother and insects did the rest. Feel the weight of it.’ She took it out of the box and placed it in my outstretched palm. It was lighter than the touch of her fingers, which stroked mine as she took back the skeleton. 

‘How much do you think it weighs?’ I asked.

‘A pelican,’ she said, ‘grows to approximately 5 feet long and weighs nearly 20 pounds. Its skeleton weighs in at 23 ounces.’

‘That’s really interesting,’ I said, trying to sound sarcastic.

‘Isn’t it,’ she said; ‘I found out about it here in the museum. There was nothing about the weight of dunlins.’

We finished the tea.

‘I have to go,’ she said.

‘Me too,’ I said, not meaning it. I wasn’t really going anywhere. And I wanted her to stay.

‘We’ll exchange wows,’ she said, ‘like you suggested.’

‘I’d like that,’ I said, without blushing.

She put the skeleton back in the box, which was dark blue and, as I found out later, smelt of lavender. I wrapped the pebble in a paper napkin that was stamped with a thistle design. We exchanged our wows, shook hands and went our ways. I never even asked her her name.

*

Biography

Colin is seventy four, married, with grown up children and has lived in Liverpool for many years.

Publications include two poetry collections in print and short stories on-line and in magazines and anthologies. He’s had plays performed in and around Liverpool.

He cycles everywhere and cultivates a quarter of an allotment. He is a long-standing member of the Dead Good Poets Society and co-runs a regular Story Night at The Bluecoat Arts Centre in Liverpool.

Facebook: Colin Watts

Twitter: Colin Watts @FentimanW

Website: http://www.colin-watts-poetry.com/