The Willow’s Song

The willow is weeping.

She weeps for her sisters,

and a pool is fed by the tears she sheds.

The pool feeds a creek that flows to the ocean.

Oh, the ocean is full of her treasures, she said.

.

The rain is falling.  

It falls on the hillside,

and a girls stands where the willow once stood.

The girl finds a street that’s lost in the city.

Oh, the rain is full of her treasures, she said.

.

The wind is calling.

It calls at her window,

and her hair is spinning like beads on a thread.

The thread hangs around her in the heart of the city.

Oh, the wind is full of her treasures, she said.

.

Darkness is calling.

It calls for the dawning,

and the moon is full, but her eyes are red.

She tells you her secrets are lost to the darkness.

Oh, the darkness is full of her treasures, she said.

.

Sisters are singing.

They sing for the weaving,

and the corn is turning like a spider’s web.

The corn turns a circle round the heart of the city.

Oh, the circles are full of their treasures, they said.

.

The willow is sleeping.

She sleeps for the dreaming,

and a pool is fed by the dreams she sheds.

The pool feeds a creek that’s lost in the city.

Oh, the city is full of her treasures, she said.      

*

Biography

Cathedral

I love the freezing stone of you

beyond the rain, your bone damp

raising bristles on my flesh

 

I only know who they named

you after, eight hundred vaulted

years of grey, you waited for me

 

Why should you submit to what

they built you for, when my voice

echoes deep into your tombs

 

Loom over me, pull me inside

you again, they laid all your lovers

to rot within your walls 

 

Ring out for me, I’ll be breath

in your dead structure, the only

ghost you’re haunting back

 

Why should we submit to what

they built us for

 ————————————- my hot blood

thumps your every hollow cave

*

Biography

Aoife Riach is a queer feminist witch with an MA in Gender & Women’s studies and a postgrad certificate in Sexuality & Sexual Health Education. She has worked as a writer for BUST magazine in NYC and her poetry has been published by College Green Journal, Nothing Substantial, Sonder, Channel, Impossible Archetype and other magazines. She was a finalist in the 2019 Intervarsity Poetry Slam and was a 2019 Irish Writers Centre Young Writer Delegate. Her poem “Vancouver” was chosen for Hungering, the latest curation of the Poetry Jukebox currently installed at EPIC, The Irish Emigration Museum in Dublin.

 

A History of Snow

1982. We waited in the kitchen.

They went to check on a neighbour.

Would they get caught in the drifts?

I fell asleep. The Hamco. The Big Snow.

 

In school watching out the Georgian

windows for the first flakes,

the surge of excitement when they fell

swept away all thought of work.

 

The lane was covered with frost,

puddles wore pale faces. We practised

how far we could slide, falling,

cracking elbows, bruising legs.

 

Making a snowman knuckles and fingers

numb, the mittens gone, socks on hands

searching for a carrot and pebbles.

Wham singing Last Christmas.

 

Back pinned to a warm radiator in the convent.

The 90s. Nirvana. Carpet coat, navy skirt,

no trousers allowed, tights sometimes,

knee high socks; uniform. Watching breath in air.

 

The Big Freeze. The ice came in

through the keyhole. The temperature in the car

read -15. A few miles into the journey

the brake pads froze. 2010.

 

A film of black ice covered the town

after the forewarning of freezing fog

when crows perished, plunging from the sky.

The Morrigan. People fell, casualty was full.

 

2018. The Beast from the East.

Racing back on the train to get home.

Deer gazed out from the blizzard in the park,

their bright eyes shining. An Cailleach.

 

The lane was impassable to vehicles,

drifts clung to the ditches and hedges.

We trampled through, ankle deep in wellies,

bringing bread, milk, eggs and Lucozade.

*

Biography

Orla Fay is editor of Boyne Berries. Recently her poetry has appeared in The Irish Times, Poetry Ireland Review, ROPES 2019, Impossible Archetype, The Bangor Literary Journal, Ink, Sweat and Tears, Tales From The Forest, Quarryman and FourXFour. She has been previously shortlisted for The Over The Edge New Writer of the Year Award, The Dermot Healy Award, The Jonathan Swift Creative Writing Award, The Rush Poetry Competition and The Redline Book Festival Poetry Award. This year she was shortlisted for The Cúirt New Writing Prize. She won 3rd prize in The Oliver Goldsmith Poetry Award 2019. Her short story Foxy was published on the incubator selects in April. She is working towards a first collection of poetry. She blogs at http://orlafay.blogspot.com/

Somewhere Between Lillehammer and Trondheim

My body rocks back and forth

as the train weaves its way through the lumpy landscape

 of still, wintry mountains in the darkening night.

Northern Norway in early March.

 

The moon glows as it rises over curved silhouettes.

I watch it from the window.

Bright. Lonely. Silver orb.

 

The few other passengers in this carriage are asleep.

 

Then I see another light in the distance:

a curious, flickering, reddish hue.

 

My face presses hard on the cold glass,

to bring me closer to the apparition.

 

A huge man is sitting, cross-legged, by a giant bonfire

warming his overgrown hands.

I know it is icy out there.

He does not look up, though I see a half-smile appear

through his unkempt, auburn beard.

 

He knows I can see him.

 

I continue to stare as the train trundles

past the isolated, impossible,

lay-by of this mythic being.

*

Biography

Lorraine Whelan is a Canadian writer and visual artist based in Ireland. Her prose, poetry, and art criticism has appeared in Ireland, Canada, USA, Luxembourg and online Her artwork is included in public, private and corporate collections in Ireland, USA, Canada, UK, Belgium, and Australia.

Solar Flare

   -Tracking Mary Oliver’s “Wild Geese”

.

You do not have to be engaged.

You do not have to sit

in the front row

nodding your head

in approval,

affirmation

to the uninspired.

You only have to represent

the clickety-clack of your heart,

tap-dancing rain gutters,

solar panels.

Tell me where you’d rather be,

and I’ll draw an X

marking my spot, too.

Meanwhile, the day slugs on.

Meanwhile the sun rides the sky

in a hunched back slouch, filters

60 watts through alder leaves

hanging by a thread.

Whoever you once were,

or will yet become,

the world will bend

to your intensity.

*

Biography

Kersten Christianson is a raven-watching, moon-gazing Alaskan. She holds an MFA in Creative Writing (University of Alaska Anchorage), has authored two books of poetry – What Caught Raven’s Eye (Petroglyph Press, 2018) and Something Yet to Be Named (Aldrich Press, 2017) – and is the poetry editor of Alaska Women Speak.