Laura-Blaise McDowell: Changeling

He wasn’t a superstitious man. He wasn’t afraid of what might be. It was the God’s honest truth. It was all his grandmother ever talked about- how when she was small, the town was overrun with them; green-eyed children with something amiss. Careless mothers who left their babies beside open windows would find them replaced in the blink of an eye. Changelings. He knew that people didn’t believe in fairies anymore, and he didn’t believe in ghosts or any of that carry on, not at all. But he knew, when his daughter was born she’d had blue eyes, like him.

‘And how would you know? You were blind drunk,’ his wife had snapped when he voiced his suspicions. She wouldn’t have been so defensive, holding the baby away from him, if he wasn’t right, he thought. She’d left that fucking window open in the kitchen; anything could’ve come in without her noticing, as inclined as she was then to fall asleep whenever the creature stopped squawking for five minutes. He knew it wasn’t his. He spent the child’s early years in a drunken stupor. ‘That open window,’ he would mutter. ‘She had blue eyes.’

Her mother made Siofra three little toys, a wolf, a bear and a swan, and told her that they would protect her if anything bad happened. The girl’s green eyes sparkled. She took the little creatures everywhere with her and held them close when her father would bring the thunder down. Her mother hoped that what she told her daughter was true. When Siofra was ten, she came home from school one day to find her father slumped at the kitchen table. The floor was terribly clean and her mother was nowhere to be found.

‘She’s fucked off,’ her father slurred. ‘Cleaned the place…spotless, the bitch! …Fucked off…’

Siofra ran upstairs and heard his glass smash on the kitchen floor. The shards lay there for weeks. As she got older, Siofra began to look more and more like her mother; black, curly hair, the shape of her face like a knot in wood. The sparkle in her green eyes faded though, and she walked with her head down. Meeting her father’s red eye only brought the devil out in him. Still, in the darkness of her school bag, lived her little wolf, little bear and little swan. Still she clutched them to her at night.

In the summers she often sought refuge in libraries, shopping centres, foyers of cinemas, where she’d pretend to wait for someone. As she got older, she smoked in parks, and as it got later, she drank in bars. There was always someone willing buy a drink for a girl with the ocean in her eyes. One night, she was drinking with a group of young men and women, all of whom were wrapped in glistening, luscious tattoos. She felt at home with them and the more she drank, the more she revealed about her mother leaving and her father’s fury. The weight of their arms around her was the first affection she’d felt since her mother left. She told them all about little wolf, little bear and little swan. In her memory, her words floated in front of her in little golden clouds and the others caught them on their tongues and the tips of their fingers. In her memory, they all had green eyes like her.

And then she woke up, and her memory stopped there. She was lying on a bench in the park near her house, coated in leaves, dew soaking her clothes. The dawn was dancing through the tree branches and her arms and chest felt raw. Sitting up, she looked down to find, inked onto her skin, little wolf on her right arm, little bear on her left arm and little swan on her chest. She stumbled home, head pounding, to find her father waiting for her at the kitchen table. A glass narrowly missed her head as she appeared in the doorway.

‘Think you can just run off? Just like your fucking mother, do ya?’ he yelled, getting up from his chair, steadying himself on the table and walking towards her.

‘Think you can just…just stay out? All night? And what’s…what’s this? Are those tattoos?’ he spat, grabbing her arm right around little wolf. The pain seared through her and she yelped, but it came out as a howl. Her father jumped back, aghast, as Siofra began to morph before his eyes. Grey fur burst from her, her teeth grew long and fierce, her shoulders burst forth until a wolf stood growling in front of him.

She felt her body change but it didn’t hurt, it felt natural, like reaching towards the sky. She leapt forwards, knocking over the table, sending her father flat on his back, and stood with both paws on his chest. His was a child’s face then. She stepped back, releasing him but he didn’t get up. Still growling, she turned and ran upstairs, her paws thundering on the wood, and into her bedroom. In front of her mirror, she saw herself become human again, her back legs stretching, her shoulders jutting back into place, her face shrinking. She looked at her arm. Little wolf’s mouth was open in a howl.

She crept downstairs to check on her father. Still he lay, spread eagled beside the toppled table. He did not stir as she approached. She laid a hand on his throat to check his pulse and all of a sudden his hand sprang up, grabbing the little bear on her left arm. She shrieked but it became a roar. ‘Get off me, you stupid little-’ but he was struck dumb as again, as Siofra began to rise up and transform, this time into a huge bear. She stood over him on her back legs, growling. He scrambled backwards and slipped on spilled drink, cracking his head off the sink. Siofra raised one enormous paw and her silver claws caught the light. Her father lost consciousness. Again she turned and clambered up the stairs, knocking down the frames from the walls as she thundered to her room. Again she watched herself transform back to human form in the mirror. She looked down at her arm. Little bear had a paw raised.

Worried that this time her father might be seriously hurt, she crept down stairs once more. She got a damp cloth from the sink and pressed it to his forehead. This time, he hand flew up right to her throat, catching the head of the little swan in his meaty grip. But he soon let go as he felt feathers in his fingers and Siofra beat her mighty wings against him, becoming a glorious swan. Her father sat, dumbfounded as she rose up, away from his reach, and out the kitchen window.

*

Biography

Laura-Blaise McDowell is a 23 year old MA student of Creative Writing at University College Dublin. Her work has appeared in The Runt, The Bohemyth, Silver Apples and Bare Hands. 

 

Siofra O’Donovan: Amnye and the Yeti

The Yeti came in the moonlight, after the monks had blown their horns for evening prayers and Amnye had taken the Yak to the pastures below the temple. Momo, his wife, gave him his dinner when he came back.

“If the Abbot asks for more tax, I’ll throw my dinner at him.” she said, as the children slurped soup around the stove. The dogs were silent.

“Don’t desecrate the clergy.” said Amnye, but inside he agreed with her.

That night, the stars gleamed like the jewels of the Gods but a terrible thing happened. A howling whistle like a ghost’s lament came up from the pastures.  Amnye sat up with his gun and stood at the door and he saw every yak in the pasture dead. Still, black shadows under the moon.

“The Yeti!” he cried, as Momo came to his side, and the dogs growled like thunder. Amnye saw the black figure facing him, wheeling his arm with a yak pat on his head. Amnye knew who he was, pretending to be a man, calling him into the pasture so he could choke him to death.

“Demon! Murderer!” said Momo, spitting on the ground. The children woke up and huddled around them, staring at the dead yak and at the huge mi drong tearing up the hill, his whistles howling in the the wind. Amnye packed a bag of tsampa flour, slung it on his back with his rifle.

“Don’t go.” begged Momo, “He will take you as well!”

The little ones tugged at their Pala’s thick chuba coat, but Amnye would stop at nothing, after this third attack the yeti had made on the village. In the morning, the monks prayed for Amnye and the Abbot did not ask for tax. They said they understood if he had to kill. They had seen such things since the Han soldiers had marched into their land. Amnye’s boots crunched over the crumbling rocks on the pass, and the white peak of the Goddess mountain gleamed like a knife under the moon . Amnye knew the crack in the mountain where the yeti lived, and where he had taken his cousin’s daughters three years before.

Amnye stopped at the creak for his tsampa, and lit a small fire in the crevice, A yeti knew fire. He would smell the smoke but Amnye was ready. He clutched his rifle, the one he’d had since the sky fell down and the wolves howled on the Goddess Mountain. Since the Han came. The sky had never risen again, and all Amnye had known was misfortune. Now, twenty yak were dead and his family would starve in the winter. With all his thoughts of war and enemies, a shadow fell over him.

“The mi-drong is a sentient being. do not take your gun to the cave. He will lead you to the right path.”

Amnye bowed to the lama, who stood before him. But inside, he was angry. The lama had grey hair in a knot and a grey beard draped to his waist and his chest was shiny and strong.

“How am I to avenge the murder of my herd? And the two women robbed?”
“Take your prayer wheel.” said the lama, and vanished into the shadows. Amnye did not have his prayer wheel.  He had his rifle.  In the morning, he saw the eagle in the sky and it swooped down and scratched his bushy hair.

“Ah, ah! Why do you threaten me when I am right!? The Goddess would not afflict me like this!”

The eagle turned and stared in to his eyes, hovering right in front of him on the path.

“You should listen to the lama! Retreat! Bring only your prayer beads, old man…” he swooped away, high in the sky, and danced around the Goddess’s peak.

Amnye reached the peak, and icy winds bit his cheeks, and his tsampa was empty. He saw the Yeti, mocking him, with a yak pat on his head, wheeling his arm around and whistling terribly. Amnye pulled his rifle up, and aimed at the heart, as the Yeti thundered towards him, his sharp white teeth gleaming in the sun, his hairy body dull and thick, his shoulders no man had the back to carry.  He slung Amnye over the hairy shoulder, like a piece of meat. Like every other victim, he was carried into the cave of the Goddess mountain.

Amnye woke in the dark. His cousin’s two sisters were making yak soup on the fire.

“This is where you have been? Why don’t you escape?”
“Our life is good here, Amnye.”

Their minds have been made simple by that monster, Amnye thought. One of them, the salt trader’s girl, was pregnant. It was unimaginable. Amnye searched for his rifle. It was gone. Instead, in his sack, he found his prayer wheel and his prayer beads. He had not packed them, but  there they were . He swung his prayer wheel, around and prayed for peace. He prayed for his life, and for the lives of his cousins’ sisters, and the lives of the people in his family, and for the people in the village, and the yak to be reborn in De Wa Chen, the Western Paradise. He prayed for the end of the wrath of the Yeti.

But a gleaming white figure sailed in through the crack of the cave, tall and shimmering, with silken black hair and eyes as deep as the Turquoise lakes. Her body was slender and wispy…the Goddess of the Mountain.

“Welcome,” she said, “to the mountain. We knew you would come.” she swirled around, as the Yeti came in. “Here you will stay with us, and pray with us.”

Amnye’s mother had always said he should never have been a yak herder. He had the mark of a lama on his ears, long and soft for listening to the sorrows of lost souls. His eyes filled with tears as the Goddess showed him his family climbing up the pathway to give him alms, a year after his capture.  Amnye had always known, but he had forgotten.  Pilgrims from far, far away came to the Goddess Mountain to seek advice from the wise sage Amnye, whose wisdom was as sharp as an eagle, whose strength was as mighty as the Yeti. His family was blessed with a new herd of yak, and the Abbot suspended taxes.  The Yeti served him, cooked for him and cleaned his cave and was even seen sitting with Amnye, spinning his prayer wheel under the snows of the Goddess mountain…

*

Biography

Síofra O’Donovan is a published author and an experienced writing workshop facilitator. She was writer in residence in Louth County Libraries and the G.A.A. club in Collon Co. Louth under the  Arts Council and Louth County Council from 2004-6. She is on the Writers in Schools Poetry Ireland panel and the Writers in Prisons panel. She  published Malinski,  a novel, (Lilliput Press, Dublin 2000),  and Pema and the Yak, a travelogue (Pilgrims Books, Varanasi and L.A., 2006). ‘She understands those strange and beautiful moments when the metaphors of poetry become literal in our lives, as children face the challenges of the adult world.’ Pr. Declan Kiberd, UCD.

Sheena Power: On the Matter of Dublin’s Gargoyle Population

Dublin is not quite as infested with gargoyles as some other European cities. This is a result of gargoyle-hunting, which was in vogue about a century ago. Being slow (one might say even motionless) creatures, hunting gargoyles required no speed and little skill. Sharp eyes and an axe did the trick.

It was a perfect after-dinner sport, when a gentle amble through winding alleys was enlivened with the hope of bagging a few specimens. As this pastime gained popularity, interest grew in the creatures themselves.

Their independence and love of window ledges suggested a kinship to cats, and so there was a brief movement to domesticate them. Gargoyle-fanciers vaunted them as uncomplaining and placid, but most people found them to be unaffectionate. In the end the venture failed due to their complete failure to breed in captivity.

Questions were eventually raised as to the ethics of gargoyle hunting. Claims that the gargoyles fed on roof-slates, and were to blame for the shoddy state of many church spires, were, frankly, taradiddles1. And not even Preston Blumenthal (a travelling chef and wizard of the time) served them for dinner more than once. Gargoyles, as we now know, contain little or nothing of nutritional value, and their flesh is exceedingly tough.

As a result of petitioning, gargoyles were eventually granted status as a protected species. Gargoyle hunting, as a sport requiring no perceptible movement, was superseded by golf. The remnants of what was once a healthy and thriving colony still cling to old buildings around the town. One would think, gazing about at the erstwhile nesting places of their former friends, the stony faces would look sad, but by and large they all look as though they are grinning to themselves. There is just no understanding gargoyles.

1 cobblers 2

2 balderdash 3

3 tommyrot 4

4 piffle 5

5 hogswash 6

6 codswallop 7

7 bilge 8

8 flim-flam 9

9 somewhat lacking in veracity

*

Biography

Sheena Power is an illustrator from Dublin. Her work ranges from dragons on the cover of J.R.R. Tolkien: the Forest & the City, to Christmas cards for scientists. Although she draws for a living, her real love is writing. Her story Aurelia Aurita was published in Tales From The Forest; Ink Blot won the Bath Adhoc Competition, and her as-yet- unpublished novel was one of those selected for this year’s International Literary Festival’s Date With An Agent event.

Stephen Hill: The Sword is Nothing

While the land of Old Cuthald’un had but one language, there were many dialects that betrayed minor differences. One could attain a basic understand of each culture by contrasting their different meanings of the phrase:
Al kchuck mena sens alek starabanna galim aggrio
In the western isles, it translated simply and practically as “The winter wind yields but few rewards for the desperate man.”
To the east, it was a widely feared war cry. It was a proclamation of brute strength, stating that “Only the mighty can withstand the northern furies.”
The peaceful Southern swamp farmers educated their children with the same phrase. It taught them that “Wise families save half their bread for darker days”.
Over the centuries, the northern meaning of the phrase has been lost. However, it is believed to have some deep spiritual meaning as it is traditionally spoken by holy men during the burial rites.

Huddled near a small campfire on the ridge of the Devil Back Mountains is a hunter of eastern descent. His hand rests on a violent looking bastard sword and he is surrounded by a blizzard of lazy snowflakes. The blade’s point is buried deep in the snow, icicles having already formed along the ridge. The cold steel has been nicked many times, but it is well kept and lovingly sharpened. The wind screams in the hunter’s one remaining ear as the night chill cuts through his clothes. The air stabs painfully in his lungs, but his breath is steady. Beneath his cloak, he fingers a small copper coin. It feels warm in his hand.

He was thinking to himself, wondering what sort of monster might have killed that goat…

The freezing temperatures on Devil Back had preserved the unfortunate creature. Only the eyes had decayed away, over who knows how many days or weeks. Both of its horns had been snapped off, but there were no teeth or claw marks on the torso. Instead, its legs were mangled, as though it had fallen from a great height. But, as the hunter looked about him, there was nothing here to drop from. No overhang or ledges. It was curious…

He found himself thinking of swamp Basilisks. Slower than typical lizards, they could belch a poisonous gas that caused paralysis in its victims. However, despite being bigger than most dogs, their bulging eyes were considerably larger than their small stomachs.
And of course, they weren’t strong enough to drag large animals far. A lot of farmers in the south woke to find their cattle dead, but mostly intact. However, their flesh would be intoxicated and unfit for eating. Basilisks couldn’t survive the cold northern winds however. Maybe…

A sudden gust of wind threatened to put out the hunter’s campfire. He huddled closer and tried to kindle it as best he could. His mind strayed momentarily to warm fires and tankards brimming with Redwater whiskey.

…Maybe it had been a flying Mantrap. The hunter was familiar with these, having slain quite a few in the eastern mountains. The walking, insect-like varieties were large, stealthy hunters. They liked to hide in foliage with only their agape mouths showing. When unsuspecting victims would walk by, they charged as fast as their many legs could carry them, pounced and devoured their prey. The speed at which could crunch through bones was nightmarish. The flying Mantraps were smaller but louder, and considerably more aggressive. They had an extra set of teeth, used for tearing instead of chewing. The hunter remembered, scratching the remnants of his ear, he remembered how sharp they could be. They attacked in pairs, screeching and grabbing at prey with their talons. Once lifted high enough, they would drop them like stones in an ocean. They were sadistic creatures, but also hunters like him. They did not leave food to waste.

Still scratching at his mangled ear, the hunter stared at the goat searchingly. He had attempted to cut some meat from it for the fire, but the flesh was frozen solid. And though he was sure a Basilisk hadn’t poisoned it, he wasn’t eager for goat-meat until he knew how it had been killed.  He searched his memory for beasts native to the North, his hand returning inside his cloak to finger the coin. When he had been asked to slay the “Hillyss Monsarium”, the ‘Beast of the Mountain’ or ‘Monster of the Mountain’, he’d expected a Garriswulf. Larger than the Greywulf, Garriswulves were taller than horses and faster still. He’d heard stories of Garriswulves being ridden into battle centuries ago. It didn’t seem likely to him. He’d encountered one or two on his hunts. Evil creatures…
They could be outsmarted with the proper tools and a well-placed trap. He briefly recollected listening to a Garriswulf’s alternating snarl and whine as he stood atop a pit that he himself had lined with sharpened stakes. He pulled his travelling cloak tighter, appreciating their thick pelts in hindsight.

There would be none of that here, he thought to himself, glancing up and down Devil Back mountain ridge. Here, it would just be him, his sword and his reflexes. He wished it would find him soon… Whatever this creature was, he would be able to see it coming. Up here, there was nothing at all to see except the flurries of snow against the dark blue sky and the mountain itself. Whatever “Hillys Monsarium” was, it would die by his sword.

He flitted the coin between his fingers one last time before putting it in his pouch and rising from the fire. He would let it burn in the hopes it might attract the beast’s attention. He had nearly cleared the Devil Back and could see the Shoulder of Heaven rising before him in the distance. It would be a difficult climb, especially now that the wind was picking up. He stared at the high rise with a cautious dread.

A large snowflake landed below his eye and, after a moment’s pause, he reached up to crush it with his fingertip.

*

Biography

Stephen Hill is a writer living in Dublin. He writes and edits articles online for web-site Bone-idle, contributes to underground zine The Runt and occasionally writes a barbed comment on the Twitter. He aims to get published someday, with his own line of Young Adult horror novellas (a la  Goosebumps)

Aisling Lynch: A Brief Summary of The Brian Monster Face

Over the years, the general description of the Brian Monster Face has become somewhat misleading through several layers of urban legend and heaps of exaggeration by certain public servants. Below is a direct quote from a private citizen with first hand experience of the creature.

“Don’t get me started on this Brian Monster Face chap, he’s rather a silly creature. He can go eat the most vile, vomit inducing worms out of the cold hard ground. He is a menace to society and must be stopped. No bakery within 10 miles of him is safe.”[1]

As far as the human race knows, there is only one of the species in existence. He has the complexion of a wild boar in spring time and often times, in the personal opinion of this reporter, the temperament of an angry beaver.

A strange, baffling creature with many flaws to note that impair the quality of life for those around him, the Brian Monster Face is known for his thieving and scalwaggery which he (quite disgustingly) practices openly against the general public. However, scientists have argued for years that the Brian Monster Face is one of the most docile creatures on planet earth. If you should ever find yourself face to face with a charging, semi-irate Brian Monster Face all that is required to subdue this raging hormonal beast is a well timed scratch behind the ears or a well aimed chocolate projectile.

Despite his coarse nature the Brian Monster Face has fascinated zoologists and scientists with his ability to adapt to most harsh environments. Like a snake in the Sahara, the Brian Monster Face will shed his skin for another more befitting of the climate, or to protect itself from vicious enemies (such as Steve Dragons or Film Critics). This reporter has personally seen him don scales, porcupine spikes, fur, and crystal skin.

However awesome this ability may be, this prevents the Brian Monster Face from enjoying most physical contact from humans and even animals. People have been left scarred by simple hugs, bunnies and kittens flee from the prospect of his touch. It is a lonely life for the Brian Monster Face.

Another amazing feature of the Brian Monster Face, as well as his ability to adapt, is his general rapidly changing physiology. The Brian Monster Face is prone to almost instant evolution whenever it feels up to it really. This has resulted in some fascinating features that have left wildlife photographers dumbfounded. For example; some say the Brian Monster Face once had a pair of magnificent deer horns on his head which subsequently rotted away to give ample balance for two large bat wings on either side of his face.

It has also been rumoured that his teeth are made of an unbreakable stone, apparently set by a tribe of mountain trolls after an altercation with a Minotaur caused him to lose the original ones (allegedly he lost them during after losing a vicious game of scrabble but at present there are no witness accounts of the ordeal to prove this to be true).

There has been photographic evidence of a tail, once the most famous trait of the Brian Monster Face. It was reported to be about 5 feet tall, the colour of moss and as bushy as something incredibly bushy. As magnificent as it may sound, the tail was actually a haven for termites, lice and the occasional garden snake. In fact, some rumours on the tail have suggested there was a thriving society of woodland creatures living within its furry tresses that eventually migrated to the beard region of the Brian Monster Face.

The tail also had a pungent tip which we believe was originally intended to paralyze enemies of the Brian Monster Face although this never really proved to be an effective weapon. Witness accounts have revealed that the spores on the tail’s tip only released a mild stimulant that smelled vaguely of marshmallows[2], all it really did was attract bears. Eventually the tail wore itself down and all that remains of it is a small tuft of mossy fur just above the fearsome buttocks of the Brian Monster Face.

Specialists at the Centre for Strange and Freaky Animals are still trying to pin down all of the physiological and emotional traits of the Brian Monster Face. However, studies have abruptly stopped due to his recent escape from an isolated prison off the coast of Alaska.

It is the hope of all of us hard working people at the CSFA that the Brian Monster Face will be caught, brought to justice for the 237 worldwide cookie thefts and studied further for hardcore science-y reasons[3]

So, what other mysteries will this strange beast reveal to us? What unearthly, bewildering act will he horrify the world with next?

Only time will tell.

[1] Stephen Hill, Interview with a Stephen, 2014

[2] The Brian Monster Face is said to live only on processed food and baked goods and uses the scents of them, we assume, for hunting purposes. We are unsure if he is aware that this comes across as very silly.

[3] Sir Elderdandy Stranglefoot the Third, Founding Member of the CSFA, 2014

*

Biography

Aisling Lynch is a licenced daydreamer and full time practitioner of nonsense. Sometimes she writes it down. Sometimes she doesn’t and eats a sandwich.

The Brian Monster Face has been known to write fiction of his own.

Brian Dunster: Black

On the darkest planet, deep inside its darkest cave, dwells a creature with the darkest soul. It is known throughout the cosmos as the single most darkest thing in existence. The creature itself has never been seen, though some claim it is at least two hundred feet long with serpent wings. The stories are often varied depending on who is telling them. But they are made only to frighten little children. The stories made to frighten adults are far more terrifying.

It is true that the creature has never been seen, it has no physical form we could possibly recognise. But its presence, as you near the planet, is unmistakable. A sudden frost sweeps over the heart and the mouth begins to taste of ash. The body turns to stone and the mind forgets the simplest things, such as breathing. You’ll feel utterly alone, yet convinced something is watching in the shadows. It’ll drain you of love, happiness, and ambition, leaving behind only fear, helplessness, anger, and an empty shell of flesh to rot in the void.

Many people have gone in search of the creature with the darkest soul. Some for fame and glory. Others hoping to make their fortune. A soul as black as the darkest corners of space would fetch quite a price. But all those who tried were never heard from again. Their curiosity consumed them. Their greed twisted them. They must have known they were doomed from the beginning. No being can withstand the creature. Its pull is too strong. Its hunger too great. Only fools venture into the stars to find it, and lend themselves to its legend when they don’t return.

But I have something that they did not have. A plan. A way to deflect the creature’s natural ability to consume a human soul. I spent years developing the proper shielding, perfecting its design, running thousands of tests, calculating every possible variable, programming every conceivable frequency. And unlike the others who came before me, seeking riches and infamy, my quest is pure. I merely wish to study the creature and to understand it. I want to learn all I can and return to publish my findings. I won’t end up in another fool’s campfire story. And once I regain control of my body, I’ll be able to do what no other human could, I’ll bring back that creature’s soul and laugh in the faces of those who laughed in mine. They’ll see. They’ll remember me. And they’ll regret everything.

*

Biography

Brian Dunster studied in the art of screenwriting, and when he’s not writing for the silver screen he likes to delve into the world of short fictional prose. To misquote Andy Dufresne, “You either get busy writing, or get busy dying.” You can find some of his short films at https://vimeo.com/briandunster

Brian has also been documented in the wild.

Siofra O’Donovan: Vaselisa’s War

My mother died of fright the night the first bomb dropped. Under a starry sky, a storm of dust fell through the broken window. But before her last breath, she handed me a doll with two button eyes and a ripped cheek, a thing she said belonged to my Granma, and her Granma, and to her Granma, all the way back.  

My father had only one leg: he set out on his crutches to replace her. On the first day, he came back with a chicken, on the second, with a donkey from the paddocks and on the third, with Mrs. Ravisham the Widow and  her three daughters, the youngest of whom could cook Goulash. I, on the other hand, could not cook an egg. 

Sirens whined, clouds of dust and mortar made the city grow more and more lean. Mother’s gold and pearls were ferreted into the dark streets and taken away by fiendish goblins that make fortunes on peoples misfortunes. Mother’s wedding ring was sacrificed for three stale loaves of bread of which I was given the heels. Our brownstone still stood between clouds of dust and rubble. Refugees huddled in the basements hiding from the steely eyes of the Dictator, who had taken over our perishing city. Maggie and the eldest stepsister grabbed me by the scruff of the neck and said: 

“Go to the forest. There is one who keeps a garden kitchen that would feed ten families. You go to her, and bring us back her pumpkins, and the eggs of her chickens, or we will throw you over to the Dictator.”

“That one? She is Baba Yaga. Everyone knows she devours children. Do not make me go!” 

“Go then, to the Dictator’s Camp.” they smirked and threw each other wicked looks. 

Father lay on the sofa in a delirium, his phantom leg itching wildly. All he had left of Mama was a secret, crumpled photo of their wedding which he kept in his vest. His new wife grew vicious with the rations: she sold herself to a man in a tank for the price of a chicken and roasted it one dark afternoon, while I was locked in the attic staring at the bomber planes in the inky sky,  imagining feasts with my doll: venison, Soufflé, pea mint soup, poppyseed cakes and meringues and trifle.  

When they asked me to leave and beg food from the Yaga, my heart froze with the fear. What would become of my father and his phantom leg? What of me, in the clutches of a evil crone? 

I left, in the middle of the night. They watched me as I trailed down the lane after curfew, clambering over rubble and cracked pipes and broken glass. I walked for many miles until I reached the forest. Clutching my doll,  I went in to the darkness of it, not knowing would I ever come out. Wolves howled over the hill, owls hooted and stared at me.  Three deer led me to a little hut with a plume of smoke sailing through the dark old trees. I walked up the path, and a breeze tickled the air, and the jars hanging from the eves clinked and made a song. The door swung open, and Baba Yaga stood there with her hand on her hip, with a pipe in her mouth, her chin as long as it and her nose bent over to meet its point. 

“Now” she said. “Get in. We have work to do, Vaselisa.” 

The jars grew louder and louder and I wondered, what could that be, that song, because I hear my doll sing it too. 

“Oh, Thank you.” I said. 

“That is good. You are polite. Now, sit on my floor and sort the chaff from the wheat. Do it by sunrise.” 

She whisked up her skirts and jumped into her cauldron and sailed up into the air, scooping it with her ladle, which was the oar for her vessel. Up jumped my doll, and swept through the floors, clearing the chaff from the wheat with a smooth, sure hand, and all the time the song of the clinking jars went on. At sunrise, she came sailing back through the skies. 

“Now. That is good. You work fast. It is time  to spin the cobwebs into curtains. Do this by sunset, so that I may close my windows to the night owls.”

Baba Yaga wheezed around her garden, pulling and polishing her pumpkins. Now the song of the clinking jars grew louder and louder as we worked, and my little doll and I spun the thick cobwebs into silken curtains for her little hut. 

“That is good. “ She said. “And only three o’clock. Very good. Now, you must dust the moon and bring its silver light to my berries, for they are weak and hard this year. It will be the work of the night, and when the moon is pale against the blue morning sky, you will be done. If not, you will never leave my hut again.” 

I did not know how to fly in a cauldron, nor did my doll. We sang together to the jars and as the song grew louder, we rose up  and flew over the dark forest and up to the moon, where we swept the whole night, and cleaned all of its crevices, and carried ladles of its silver light back over the forest. As the first glimpse of dawn came and I saw a knight coming over the hill  on a white horse and in silver armour. 

He put us on his back and we rode back to the hut and offered our ladles of silver moonlight to the Yaga, who grew younger as the light poured over the bushes and gardens. She was so beautiful and radiant and the jars became the most exquisite symphony of music we had ever heard. 

“It is good.” said the Yaga, walking towards the Knight. The berries in the bushes shone. Every leaf on the forest trees gleamed. 

“Listen,” she said, “to the sound of your Grandmothers. We are all refugees.”

The knight nodded. The song grew stronger and stronger. 13 birds brought their mosses and their grasses and wove a crown on my head, as the moon became a silver hook in the morning skies. I never went back to the war, but we brought my father to the dell and made him a leg of oak and he worked in the gardens with us, to the sound of the Grandmothers’ song. Far, far behind us lay the city of dust and rubble. 

*

Biography

Síofra O’Donovan is a published author and an experienced writing workshop facilitator. She was writer in residence in Louth County Libraries and the G.A.A. club in Collon Co Louth under the  Arts Council and Louth County Council from 2004-6. She is on the Writers in Schools Poetry Ireland panel and the Writers in Prisons panel. She  published Malinski,  a novel, (Lilliput Press, Dublin 2000),  and Pema and the Yak, a travelogue (Pilgrims Books, Varanasi and L.A., 2006). ‘She understands those strange and beautiful moments when the metaphors of poetry become literal in our lives, as children face the challenges of the adult world.’ Pr. Declan Kiberd, UCD.

Sheena Power: Aurelia Aurita

The common name for the common jellyfish is ‘Moon Jelly’. But this is not what their mothers call them.

Moons, in common with vampires, are associated with the night but can go out in sunlight; it just weakens them. When you see a moon hanging in the daytime sky it is so reduced it is almost transparent. If you peel such a moon away from the pale pottery blue of the firmament you will notice it is thin as a flake of laundry soap.

When these moons fall into the sea they become sodden, and then gelatinous, and then slowly they billow into bell-shapes, and are seduced by the watery element.

The three Ladies of the Moon are Selene, Diana, and Hecate. They know by now how their daughters wander, and how they fall. They let them go. In the ebb and flow of the tide, they rock their wayward babies to sleep.

When Natural Philosophy came to name the world, he put on his best embroidered slippers and stuffed his pipe with Nicotiana tabacum. The lists were long and sometimes he ascribed unworthy names. Resting his eyes he fell, perhaps, asleep. If he did sleep, in his dream he was visited by three ladies: the first was young and soft-skinned, with pale yellow hair and a round, winsome face; the second was most memorable for her collection of weapons, and the third was an old witch.

‘See,’ said the young one, her plump delicate finger indicating the drawing of a primitive sea-animal, ‘See our precious babies. We miss them so, it is a perpetual ache. We wish to name them. It is a kind of spell, we know, what you do.’

The weaponed one said, ‘Their name will feel like a soft caress.’

And the witch added, ‘But at the end, there will be a little tskiness, so they know how naughty they have been.’

Then they took his quill, and wrote something in his list. They all seemed to do this, and all at the same time, as if the witch and the warrior were shadows of the girl, or as if she were light playing on their silvering hair.

Natural Philosophy awoke to a cold dark room. His candle had guttered in the wax, and the only light came from the stern eye of the moon. The list was as he had left it before dozing, but with a grateful shudder, he remembered the name.

Below his tower spread the endless, black, moon-caressed sea. And through it, gazing up at their three mothers, swam Aurelia Aurita, the Moon Jellies.

*

Biography

Sheena Power is an illustrator from Dublin. Her work ranges from dragons on the cover of JRR Tolkien:  the Forest & the City (a collection of essays by Tolkien experts), to Christmas cards for scientists. Although she draws for a living, her real love is writing. Composing captions for greetings cards can be like writing an extreme form of flash fiction. Her story ‘Queen’ was shortlisted for the Allingham Festival 2015.

LMA Bauman-Milner: Glass and Blood

Those slippers, so beautiful, so delicate, fitted my feet so daintily, so perfectly. I believed her when she said they were made for me. The glass shaped by thousands of facets seemed to move with liquid light. She assured me that though they were glass, they were stronger than diamonds.

She lied.

They warmed to the touch; from the moment they were on my feet, they were as snug as a second skin. Every step sounded with filigree chimes; every step left a print of diamond dust, leaving a glittering wake wherever I passed. The faintest breath of a breeze would send motes of light and sound dancing in the air around me. I could not resist criss-crossing my own path just to glance at the beauty that followed me. Shining dust refracted the light at different angles, depending on the direction; it seemed I left a trail of rainbows, and all the world delighted in them.

I glided on light and music to the pumpkin carriage and onwards to the ball and the prince I desired. Midnight was my curfew; the limit her magic could hold.

She lied.

A dream of dancing and rainbows trailing on the floor, a dream of a violet-eyed prince falling in love with a nameless princess who wore glass slippers, trailed prisms and chimes wherever she walked, turning every eye to watch as she passed. So many eyes that watched, but I did not see, for I was blinded by dreams and dust, by violet eyes and lust. I fell just as hard, just as deep, and dreamed that the dream would never end. Just as she promised.

She lied.

The first bell of midnight tolled. The slippers fractured and splinters of glass stabbed in-between toes. The diamond dust fell from my eyes, no longer refracting the truth into my hope and dream: covetous glances from rivals turned murderous in a blink; flirtatious smiles from long-haired courtiers slithered to lecherous.

The crowd shoved the prince back, as they surged forward with the truth. I retreated from the feral eyes of the rejected women – promised and denied a prince – as they lurched for me, dragging the rainbows from my feet and trampling them. I spun away, only to freeze at the sight of the lascivious eyes of all the second-choice men, as they lunged for me, tearing my glittering dress. The third bell.

Oh, how she lied.

I fought tooth and nail for my freedom, pounded up steps and down hallways, leaving that tell-tale, tattle-tale trail of glass behind me. The slippers stabbed and gouged with every step, but refused to shatter and free me. Every shard dug deep, deeper into heel and toe, under nails and through bones. I tore handfuls of my dress and stuffed them into my mouth to stop the screams, but the gossamer tulle melted like spun sugar. As the sixth bell of midnight rolled through the air, all I could taste was glass and blood.

I wept at the sight of the pumpkin carriage, and limped inside. By the ninth toll, the carriage had left the castle grounds and pelted at speed down the forest path. Still the slippers clawed through my feet, and every bump in the road left me breathless with pain. Glass-dust and blood littered the floor of the carriage.

I felt the final bell of midnight. Felt the vibrations tumble down my skull through my body. The slippers resonated, shuddered, and jagged cracks criss-crossed every facet, grinding together with a tooth-shuddering tone. But still they refused to dissolve, clung to the remaining flesh.

The carriage, the pumpkin trapped me inside as it bounced once, twice, and splattered on the third impact. I hit the ground, bounced and rolled and twisted, screaming all the way. The slippers would not break. I fetched up hard against a tree-trunk, my head striking the knot of a long-dead branch. Blessed darkness descended, and I escaped the pain.

It was not midnight that was my undoing, but those damned slippers. Shredded gristle and bone were the only remains of my delicate feet, still trapped by the shattered glass. My screams brought me back, clawing the earth to stop the pain. Ragged and gasping, I squinted against a sharp light as it danced into my eyes, burning away the last of her lies.

She stood over me, twisting and turning the glass blade, watching the dawning light play across my face. With every pass of light, her face changed – stepmother to godmother and back. I glanced behind her – a stepsister looming next to each shoulder, glass blades in their hands, glass slippers on their feet – and finally understood the truth.

She lied.

*

Biography

LMA Bauman-Milner is an ex-teacher turned writer, but avoids most other clichés. She graduated with an MA in Creative Writing from Leeds Trinity University in December 2015, soon after publishing her debut collection of horror short stories, Dark Doors. She lives in West Yorkshire with her husband, son, two fractious cats and a menagerie of personal demons, which she stalks and traps in her writing – the demons, not the cats (no matter how richly they deserve it).

David O’Donoghue: Embers

It was only at this time, when the sky turned into a peat fire as the ashy grey of approaching night was flecked with the embers of sunset, that Tómas felt at ease. The day carried with it oppressive heat and a wave of sunlight that felt solid on his shoulders, weighing down his already tired muscles as he toiled in the endless canes of the plantation. The cool that came with night came some way to replicate the coastal breeze he had been extracted from. At this time, his ancestors had believed, the sunset made the barrier between the world of the living and the world of spirits and Gods more blurry. It was a tenet that grew more evident to them as the evening gathering of the slaves became a more regular occurrence.

The first buzz of giddy anticipation always came when they warmed up their throats with the Gaelic glow of their native tongue. When they worked during the day only an occasional, nationless grunt would escape their mouths here or there, or perhaps an animal shout when one of their number fell with exhaustion. But here, in the borderland between day and night, they briefly put their old skin back on, and spoke with their old voices, and went about their old ways.

Here, outside their meagre quarters or the eyes of the New Model Army that had followed them from cold Connaught to blistering Barbados, they gathering around the fire to reheat their humanity. For the first night the conversation was casual but bewitching and the men found themselves easily intoxicated by mundane conversations about the labour of the day, if only because the familiar feel of the words pushing past their teeth was a comforting reminder of home. But one night Tómas had found himself relating a story his grandfather had told, of the boyhood deeds of the great hero Cuchulainn. He found the men bewitched, cracking smiles through the grime and sweat on their faces, and sometimes raising up a little shout whenever the story took a particularly glorious turn. Tómas relaxed into his position of storyteller and excavating the mystic past had become a nightly routine for the men.

The fire crackled and Tómas assumed his position, the light flickering on his smiling face, and he looked down at the men who gathering around, who rubbed their raw and calloused hands together in anticipation. He had been preparing all day, during his miserable ministrations in the sugar cane, but even though the tale was all but memorised he still cocked his head to the side in a gesture of remembrance. It was a necessary part of the ritual, the moment that indicated to the men that this man had to travel great psychic journeys to bring back these fables of their ancient home.

“Each year for 30 years or more” Tómas began, speaking into the growing flames “the celebrations at Samhain were hampered by the fire-breathing spirit known as Ailleann. Each year he would stalk around the lands of the Fianna, incinerating all that fell within his path”.

As Tómas spoke the fire conspired in his show. The men saw the tongues of flame twist themselves into a figure; a towering, malicious spirit, and hover in the air menacingly between them all.

“But then came the great hero Fionn MacCumhaill” Tómas continued, and there were shouts of joy at Fionn’s introduction, who seemed to have wandered in through the fog of history into the fire of the present.

“Fionn vowed to vanquish the demon, who lulled the men of the Fianna to sleep each year with his twisted song”.

An army of small, bright embers jumped to the top of the fire to meet the demonic figure which floated there, but one by one they all dropped back into the heart of the pit like stones falling sullenly into the sea.

“But clever Fionn, in his infinite knowledge and courage, had brought his bag of magic weapons with him. All kinds of strange treasures rested in the crane-skin pouch, but most prized among them was Fionn’s spear, which glowed red hot at its tip with magical fire”.

Tómas picked up and brandished a nearby hoe to illustrate his point and watched as the shadows of the men came together behind the crowd to form the figure of Fionn. Behind the men, in a meeting of their tired arms and aching legs, appeared a hero.

“And Fionn kept himself awake, as the Aileen sang its song, by pressing his burning, hot spear to his forehead. He found power in his pain and with each touch of the hot spear against his flesh, his suffering and his strength intermingled”.

Tómas tapped his own forehead with the hoe, making a face of vague annoyance each time it struck. The men laughed, the fire grew and their shadows elongated into the waning light.

“And now” Tómas said “filled with the vigour of his own pain, Fionn hunted down the monstrous spirit, and saw him slaughtered with the same spear that had pained the hero. And so the cunning Fionn won glory and love and remembrance”.

The shouts exploded into the night and the flame-wrought figure that floated above the pit was consumed when the fire rose higher than ever before, almost meeting the stars which now were like scores of piercing white eyes.

The men were busy hollering and clapping each other on the back and no one noticed the approach of the guards. They knocked and kicked and scattered the slaves. They chastised them in their alien tongue and threatened them with their blades. The guards seemed to wet their tongue and forefinger and quench the stars one by one. Tómas was quickly hounded and huddled back to his bedroll. But before he left he opened his mouth and swallowed an ember of the fire, and the story of Fionn rested somewhere in his belly with his exhaustion, his fear and his longing.

*

Biography

David O’Donoghue is a freelance journalist and author from Kerry. He won the 2015 Kerry’s Eye creative writing competition and was shortlisted in the 2015 Hot Press Creative Writing Award. He is soon to be published in The Runt Literary magazine, as well as the SciPhi literary journal.