David Cook: The Box of Silence

 

 

In my bedroom, at the back of my wardrobe, is what I call the Box of Silence.

When my parents argue downstairs, I climb in and shut the lid and then I can’t hear them. But I don’t mean the box just muffles the sound of fighting and yelling. I mean, in the box, sound doesn’t exist. I’ve tried singing, speaking and shouting to myself in there and while my mouth opens and closes, there’s nothing to hear. You can’t make noise, or hear it, in the box. It must be magic. Then, as soon as I open the lid, I can hear again. Sometimes the row has finished. Often, it hasn’t.

The box was there when we moved in four years ago, when I was eight. I remember finding it on our first day, and wondered why the people who’d moved to Australia had left this huge empty box behind. I thought about getting dad to throw it out, but now I’m glad I didn’t. I didn’t know what it did then. No-one else knows about it, not even my parents. It’s hidden now behind all my clothes and the boxes of toys I’ve got too old for.

I’d hoped moving house might stop all the arguing I’d grown up hearing, but after we’d been there for about three months, it began again. It was loud, one of those dad might call a ‘doozy’. I closed my bedroom door, but I could still hear it. And I could hear it when I hid in the wardrobe, even if I put my fingers in my ears. And that’s when I looked at the box. I climbed inside and shut the lid, hoping it would block out the yelling. And it really did. As I said, it must be magic. I sit in it whenever mum and dad row about money or work or my school or ‘that bitch’ from my dad’s office or any of the thousands of other things they find to shout at each other about. I love my box.

Listen. They’re starting up again now. It sounds like a bad one. I can hear glasses smashing again. That only happens when they’ve both had a drink. Time to get in the box again.

Silence. Perfect. I can just wait it out. Wait until they’ve finished whatever this latest stupid row is about. Later they’ll be all apologetic around me, and maybe tomorrow they’ll take me out for ice cream, and they’ll talk to each other about telly or the weather and be really, really careful how they speak but they’ll hardly look at each other and they certainly won’t admit that they wish they were almost anywhere else. Instead we’ll sit there eating sundaes and looking like a picture of a perfect family, except that if you peer closely enough you’ll see that we’re all dead behind the eyes.

They might have finished now. I’ll chance getting out… Wait. The lid won’t open. It’s stuck. I think maybe something fell onto it as I got in. It won’t budge! I’m pushing and pushing and nothing’s happening and it feels like the walls are closing in on me. Now I’m panicking. I can’t get out! I want to get out!

I scream and scream for help, but no-one can hear and no-one comes.

*

Biography

David Cook lives in Bridgend, Wales, with his wife, daughter, cats and guinea pig, and writes in order to fill in the time while waiting for the rain to stop. He has been published in Short Fiction Break, Flash Fiction Magazine, Sick Lit Magazine and Spelk Fiction, and also featured in A Box Of Stars Beneath The Bed: The 2016 National Flash Fiction Anthology. He also publishes work at www.davewritesfiction.wordpress.com, and you can find him on Twitter at www.twitter.com/davidcook100.

Sheelagh Russell-Brown: Her Dreams Are All of Houses, and of Wings

Her dreams are all of houses lost.  She walks along familiar streets, stopping before a half-remembered home.  Enters upon silence, flies up the stairs, pulls out a box beneath a bed.  The wide blue eyes of an untouched walking doll stare back.  Golden curls, a yellow lacy dress all dusty.  Jointed legs with pins, a key to make her walk. It crumbles at her touch. She feels the nubs of wings shrink back beneath her skin.

Another dream, the house the same. An expanse of bookshelves below the windows, her father’s precious books of art.  A Degas ballerina, her eyes downcast, stretches a slender jointed leg over a bar.  Her yellow lacy dress is tattered.  The image fades.

She dreams the toy box, a circus train striped red and white.  She climbs inside.  Two mice, carrying a tiny ham, scurry through a corner hole.  She leans against a tiny sideboard, its shelves all piled with books, not crockery.  Gazes at her clothespin legs.  They cannot bend.  She cannot run. Someone is coming for her.  A mouse in a blue muslin dress, white apron, pulls her through the hole. Her legs fold.  On shoulders she feels the nubs of wings.

The sideboard stands upon an earthen floor, where ancient, twisted roots like praying hands reach upward to a distant ceiling, lines of drying clothes strung between them.  She takes a book, sits on the bed tucked into a corner of the den, growing out of the ground like the roots that guard her.  Pookie, the white furry rabbit, has soft, white wings, but cannot fly.

She dreams the house again.  White drop cloths, brown packing cases.  A pair of rough hands lifts her from the stairs.  They rub against the nubs of wings grown sharper.

The world is white, the world is cold, with spots of colour.  White the house that fronts the yard.  White the playhouse her father’d carved from waist-high snow.  White the staircase railing.  White squares that meet with blue upon the quilt.  In bed, she raises mountains with her knees, traces the paths of roads and rivers across the white and blue expanse.  But she’s no “giant great and still, no armies marching up and down the mountains.

White fluff she plants in cans in the garage to give her mother.  The dandelions do not grow.  Kept from the light, they crumble.

Another house, another city, the priest’s large house beside the hospital.  Dark staircases that lead to strange, unfriendly rooms.  The only white the tablecloth, the hated cream upon the porridge marking each morning’s breakfast.  White the nurses’ uniforms, the sheets, the bed on which her father lies, white hands never still, still striving to create of snow a world for play, breathing the oxygen that fogs the tent with white.  His lungs have crumbled like seeds of hidden plantings.

The books are with her still.  Where cats and mice and bunnies all dress in tiny human clothes.  Where homes are built in trees, in walls, in houses shrunk to kitten size.  Where kitty nurses with red crossed caps carefully bandage kitty paws, gently pop thermometers into willing kitty mouths, and kitty mothers push carriages full of babies.  And no one lies in cold white beds.  And no one dies. She sits for hours before her own small doll house, its walls entwined with painted vines and roses, arranging furniture in empty rooms, no human presence except her own and so no human loss.

Her mother follows him soon after.  And all is white no more.  Except in dreams and in the white of wings.

The hands reach up into her tree.  He cannot see her up among the leaves, nor can he climb so far.  She sleeps and dreams, the leaves make gentle sighs.  The wings grow stronger.

She dreams a house inside a tree.  A crescent moon sits in the sky.  An open door, inside a light, a table, chair, and bed.  The wind blows clouds across the moon.  The house is lost.

New house, new playthings there, but no familiar shelves of books, no boxed, forgotten doll beneath the bed.  No tales of winged or soft-furred creatures who make a home in walls and trees.  Only rough hands that touch, tearing her dreams of pinion feathers growing unseen.

She dreams the books, the picture pages.  The hands outside–inside is home.  She counts the jars upon the shelves, the flowers on Lucinda’s dress, the veins that course through pixie and through rabbit wings.  But still the hands are there.

She dreams the wind.  Upon a hill she reaches up, the trees bend low.  Within her hands is all her life, wrapped in yellow lace.  Yellow, crumbling pages.  The wind blows over, washing off the touch of hands, nudging at the nubs of wings.

She dreams a ship, hangs sheets as curtains around her bed, her berth and shelter from the world, piles books around, in boxes beneath the bed.  She dreams the gentle rocking of the waves, the wind that fills the sails with journey.

She walks on forest paths, inspects the holes and dens in fallen logs and ancient trees, dreams light, welcome, aloneness all inside.  She catches the glimmer of faintly moving wings.  She feels their wind grow stronger.

She dreams the hands now, parting the curtains round her berth, tearing at her. No wings to lift her up.  Now only hands to pin her down.  She makes a quilted mountain with her knees.  She dreams a tree, an open door, a chair, a table, and a bed.  Upon the bed, a pair of wings.

Beneath the bed, a box.  She climbs inside.  Inside’s a world with roots and wings.

She dreams a house.  She does not wake.  Its walls are earth and tangled roots.  Outside, the wind—inside is silence, only the ticking of the clock on the carved wood dresser, the beating of her heart.

She dreams a book.  She cannot wake.  Inside is home, outside the wind.

*

Biography

After having taught in the Czech Republic for seven years, Sheelagh Russell-Brown has been a lecturer in English literature and a writing tutor at Saint Mary’s University in Halifax, Nova Scotia, Canada. Her research interests are in nineteenth and twentieth century British and European literature, the portrayal of the Roma and the foregrounding of marginalized female roles in neo-Victorian fiction.  She has previously had poetry published by The Fem, has won second prize in the first Irish Imbas Celtic Mythology Short Story Contest, and was shortlisted for the 2016 Fish Publishing Short Memoir Competition.

Editor’s Note

The editor of Tales From The Forest (one Rose Fortune) couldn’t resist this particular theme. This is a story titled Where Monsters Live, and it should really live with the rest of the creatures.

*

Monsters predate humans. This is our first problem – the monsters were here first. By our own laws, they should have the right to the territory which they inhabit. They have marked it as theirs, they have built homes for their children and they have set up doctrines to live by. They are almost as civilised as we are. They are not savages.

Admittedly, some humans have in the past shown no issue with taking territory that was not theirs to begin with. The conquistadors did it, and were richly rewarded for it. Lands were named after discoverers who only succeeded in discovering a land which their flag had not yet lived in.

The second problem with monsters is, we do not understand them. Or, to put it another way, the problem with monsters is that we do not know how to fight them. They lived peacefully around us for so long, simply staying out of humanity’s way and living in our cast-off lands and our dwindling forests and our holes. Caves uninhabitable for humans produced entire neighbourhoods of monsters, of creatures with scales where they should not have scales and claws where there should not be claws. This was all well and good for quite a long time. But in recent years and recent decades, mankind has become more and more adventurous. Every hole we find is excavated or scuba dived into, or has torches shone into it, or gets turned into a tourist attraction in some exceptionally uninteresting towns.

Every section of the sea that was previously undiscovered has been set upon with ships and nets and harpoons. The air was colonised. The Grand Canyon was filled in to accommodate seven new motorways. The ground is mined and the wind is captured. The old green open spaces are built upon, and forests finally became extinct some time ago. We are left with a world where humans have taken the land, and the air, and the sea, and the earth. And once the last flag was planted and the last tree was felled, the monsters came out from the shadows.

If they attacked, we might begin to understand the situation. We have guns in 4,294 shapes and sizes and can harness the power of a tsunami if the weather conditions are right. We have bear-traps that might be effective on some of the smaller beasts. We have nets that are made from the end of the Amazon. Should we fight, there might be a chance.

But instead the monsters are suing. The most humanoid of the creatures was nominated to wear a person’s suit and draw up an official complaint against the human race. Tensions were heightened when the thing turned up in court wearing a person as a suit, but it was called a “faux pas” by a very forgiving or very frightened judge.

The complaint was accepted as valid by the same slightly shaking judge. Many are against the colonisation of the elements and the destruction of nature on the whole, so the monsters have plenty of support for their case. A new difficulty has been presented in trying to find a single person who will defend humankind and take the blame for the state the world now exists in. It’s essentially thought that the person who puts up their hands to say “I will be the defendant in the case of the peacefully co-existing monsters whose lands are now taken without their agreement” will have to also come up with a compelling reason to keep the land from the creatures, and to explain why the Sahara is now a lagoon.

If the case is lost by men and women, we are not sure what will happen next. People do not want to fight the monsters because very few people believe we can win against the bogeyman. The monsters will not go back to the shadows, because we have left none for them. We could attempt restoration, but it would be an arduous job to reintroduce trees to the world and re-terraform the earth. We also don’t necessarily want to let the ozone layer out of its box again.

There are those groups of people who are expecting to be banished. It might be the best fate we can accomplish, given how significantly we are outnumbered by the monsters. Or rather, the ratio is approximately 1:1, but that hardly seems like a fair fight when one side has the added benefits of flight, talons and possible magic/mystical powers/ability to blend into the night. It’s possible that our best course of action would simply be to leave the planet to the creatures from the darkest parts of the world, and make our way to another planet where we would, maybe, hopefully, be truly alone. The first edict of the new world will surely be to light up every shadow.

Rebecca Smith: Devil’s Gallop

Twice a day, like a clock strike, she drives through the jaws of Devils Gallop. She doesn’t look within the bustle of tree trunks, the tumble of bramble. Not anymore. She stares straight ahead with dry, wide eyes, the road running underneath her tyres. The fine hair on her forearms stand to attention and she drives like the devil is on her tail. Maybe he is.

— —

‘Have you said you’d do it yet?’ he asked.

‘Not yet,’ she replied.

‘You have to say yes. Why wouldn’t you?’

— –

The forest they call ‘Devils Gallop’ grew unchecked between her home and the hotel where she works, balancing large plates of hearty food. For this is the north. They come here to drink the thick bitter taste of ale, relish the slow cooked food and delight in the tales of the woods. Fairy tales.

She knows all about the Northern Fairytales. Please beware, you young impressionable girls. Devils Gallop looms over of the road. The trees shadow the tarmac. She drives fast, pre-empting the bends, the curves, the dips of the road and she turns the radio up, drowning out the silence of the wood. A rally driver, in a black skirt and white blouse. This was the darkest stretch of road, the coldest. She shivers at the memory of what she saw. What she thought she saw. There, in the bulging trunks of the trees, a rush of walnut, fur, wood, skin or simply a blast of air, she couldn’t tell.

— –

‘You’re not scared, are you?’ he asked, stretching his seat belt out of shape.

‘Course not,’ she replied, ‘just don’t want to be late for work.’

‘That’s why they want you take over,’ he drummed his fingers on the dashboard.

‘Hmm.’

‘What else are you going to do in life?’

— —

As fast as she could through the wood each day. The branches thickening, lengthening, every year. She can’t help but remember the skin tingling feeling the night she stopped for a cigarette. Leaning on the car door, the cool forest air chasing away the smell of hotel rooms from her skin. Then, a slow strange scent of thick animal fur. Of burning hair.

— –

‘A headless horseman,’ he scoffed. ‘Not very original.’

She shrugged. ‘It was a farm girl. His lover. She stole her father’s rifle. And shot him.’

— –

Most evenings she is alone in the car. The wheels cling to the road as she curves round each corner. The tall sweet chestnut trees, nourished by the black soil block any northern sunshine. The road looks slick with a dearth of sunlight and gathered rain drops. She fears being alone here more than anywhere. In the hotel you are never alone. If you were to stand on the road and look within the bar, you will see how she moves with the small crowd like a wave, how she calculates and considers her role around the customers.

The hotel interior glows brightly from the road. All fear of the Galloping Devil vanishes. The glasses fill and then empty, the heart of the room flurries. The open fire burns the stacked pile of wood.

‘We’ll have to use horses,’ a man as broad as he was tall towers in the doorway. ‘It’s impossible to put a road through Devils Gallop.’

She looks at him.

‘Are you felling Devils Gallop?’

‘We’re coppicing it, love.’

Her eyes drift to the small window and the road outside.

‘Means the wood can grow again,’ he says. She nods. She knows what it means. The trees will be cut down, dragged out by flare footed shy horses. Devils Gallop laid bare.

— –

‘You have to do it,’ he insisted.

‘I’m not sure I want to. I think…’ she hesitated, ‘I want to go away. I want to travel.’

‘You’re not the travelling type, love. You’re better off sticking here. It’s what you know’

— –

On the way home, the car splutters to a slow crawl just before Devils Gallop. The petrol gauge droops comically. Two miles to walk home. She is out of the car and striding into the skirts of the wood before she can stop her silly, young self. Nothing here, she maintains. What has she got to fear but a headless man on a horse. A ribbon of mist swirls in the bowl of the field opposite the wood. A sliver of moon throws cursory light on the edges of everything, growing, breathing.

She walks in the middle of the road, picturing every curve, every corner on the path home. She senses something watching her. She breathes in the scent of wet earth and fresh growth. Fairytale, that’s all. She can’t say it enough.

The wood rises and amongst the mesh of beech, willow and oak , a shape darkens. A shadow. She stands stock still, ready for the rush of fur, the scent of sulphur. She smells leather. Her white blouse shines bright in the darkness. Every muscle twists, tuned tightly, ready to snap.

— –

‘I’m leaving,’ she told him.

‘You can’t.’

‘Why not?’

‘Because. What else are you going to do.’

— –

A strong black silence gathers round her and the small breaths caught in her throat rasp.

‘You don’t have long left,’ she says, ever so bravely, to the spaces between the trees. ‘They’re coppicing Devils Gallop.’

Then she laughs. ‘They’ll see you clearly.’

She laughs again and twirls around on the road, scanning the heart of the wood, searching. The moon seems brighter, and, in seconds, warmth returns. She looks like a story book, lightly skipping up the road. A tale to read to children. A shadow follows her step, keeping its distance. If she were to look behind, she’d see it cower behind the trees. Never far away.

*

Biography

Rebecca Smith is a writer who grew up in the middle of nowhere in Cumbria. After a degree in English, Film and Media, she produced live radio for 10 years, almost purely living off adrenaline. She now works in Radio drama. She has stories published in a number of magazines and is currently being mentored by Kirsty Logan. She has one son, a silver-grey cat and penchant for biscuits. At present, the tower of books on her bedside table consists of novels and short stories by Jenni Fagan, Helen Simpson, Danielle McLaughlin, Lorrie Moore, Carys Bray, Kirsty Logan and John Green.

Laura-Blaise McDowell: Changeling

He wasn’t a superstitious man. He wasn’t afraid of what might be. It was the God’s honest truth. It was all his grandmother ever talked about- how when she was small, the town was overrun with them; green-eyed children with something amiss. Careless mothers who left their babies beside open windows would find them replaced in the blink of an eye. Changelings. He knew that people didn’t believe in fairies anymore, and he didn’t believe in ghosts or any of that carry on, not at all. But he knew, when his daughter was born she’d had blue eyes, like him.

‘And how would you know? You were blind drunk,’ his wife had snapped when he voiced his suspicions. She wouldn’t have been so defensive, holding the baby away from him, if he wasn’t right, he thought. She’d left that fucking window open in the kitchen; anything could’ve come in without her noticing, as inclined as she was then to fall asleep whenever the creature stopped squawking for five minutes. He knew it wasn’t his. He spent the child’s early years in a drunken stupor. ‘That open window,’ he would mutter. ‘She had blue eyes.’

Her mother made Siofra three little toys, a wolf, a bear and a swan, and told her that they would protect her if anything bad happened. The girl’s green eyes sparkled. She took the little creatures everywhere with her and held them close when her father would bring the thunder down. Her mother hoped that what she told her daughter was true. When Siofra was ten, she came home from school one day to find her father slumped at the kitchen table. The floor was terribly clean and her mother was nowhere to be found.

‘She’s fucked off,’ her father slurred. ‘Cleaned the place…spotless, the bitch! …Fucked off…’

Siofra ran upstairs and heard his glass smash on the kitchen floor. The shards lay there for weeks. As she got older, Siofra began to look more and more like her mother; black, curly hair, the shape of her face like a knot in wood. The sparkle in her green eyes faded though, and she walked with her head down. Meeting her father’s red eye only brought the devil out in him. Still, in the darkness of her school bag, lived her little wolf, little bear and little swan. Still she clutched them to her at night.

In the summers she often sought refuge in libraries, shopping centres, foyers of cinemas, where she’d pretend to wait for someone. As she got older, she smoked in parks, and as it got later, she drank in bars. There was always someone willing buy a drink for a girl with the ocean in her eyes. One night, she was drinking with a group of young men and women, all of whom were wrapped in glistening, luscious tattoos. She felt at home with them and the more she drank, the more she revealed about her mother leaving and her father’s fury. The weight of their arms around her was the first affection she’d felt since her mother left. She told them all about little wolf, little bear and little swan. In her memory, her words floated in front of her in little golden clouds and the others caught them on their tongues and the tips of their fingers. In her memory, they all had green eyes like her.

And then she woke up, and her memory stopped there. She was lying on a bench in the park near her house, coated in leaves, dew soaking her clothes. The dawn was dancing through the tree branches and her arms and chest felt raw. Sitting up, she looked down to find, inked onto her skin, little wolf on her right arm, little bear on her left arm and little swan on her chest. She stumbled home, head pounding, to find her father waiting for her at the kitchen table. A glass narrowly missed her head as she appeared in the doorway.

‘Think you can just run off? Just like your fucking mother, do ya?’ he yelled, getting up from his chair, steadying himself on the table and walking towards her.

‘Think you can just…just stay out? All night? And what’s…what’s this? Are those tattoos?’ he spat, grabbing her arm right around little wolf. The pain seared through her and she yelped, but it came out as a howl. Her father jumped back, aghast, as Siofra began to morph before his eyes. Grey fur burst from her, her teeth grew long and fierce, her shoulders burst forth until a wolf stood growling in front of him.

She felt her body change but it didn’t hurt, it felt natural, like reaching towards the sky. She leapt forwards, knocking over the table, sending her father flat on his back, and stood with both paws on his chest. His was a child’s face then. She stepped back, releasing him but he didn’t get up. Still growling, she turned and ran upstairs, her paws thundering on the wood, and into her bedroom. In front of her mirror, she saw herself become human again, her back legs stretching, her shoulders jutting back into place, her face shrinking. She looked at her arm. Little wolf’s mouth was open in a howl.

She crept downstairs to check on her father. Still he lay, spread eagled beside the toppled table. He did not stir as she approached. She laid a hand on his throat to check his pulse and all of a sudden his hand sprang up, grabbing the little bear on her left arm. She shrieked but it became a roar. ‘Get off me, you stupid little-’ but he was struck dumb as again, as Siofra began to rise up and transform, this time into a huge bear. She stood over him on her back legs, growling. He scrambled backwards and slipped on spilled drink, cracking his head off the sink. Siofra raised one enormous paw and her silver claws caught the light. Her father lost consciousness. Again she turned and clambered up the stairs, knocking down the frames from the walls as she thundered to her room. Again she watched herself transform back to human form in the mirror. She looked down at her arm. Little bear had a paw raised.

Worried that this time her father might be seriously hurt, she crept down stairs once more. She got a damp cloth from the sink and pressed it to his forehead. This time, he hand flew up right to her throat, catching the head of the little swan in his meaty grip. But he soon let go as he felt feathers in his fingers and Siofra beat her mighty wings against him, becoming a glorious swan. Her father sat, dumbfounded as she rose up, away from his reach, and out the kitchen window.

*

Biography

Laura-Blaise McDowell is a 23 year old MA student of Creative Writing at University College Dublin. Her work has appeared in The Runt, The Bohemyth, Silver Apples and Bare Hands. 

 

Siofra O’Donovan: Amnye and the Yeti

The Yeti came in the moonlight, after the monks had blown their horns for evening prayers and Amnye had taken the Yak to the pastures below the temple. Momo, his wife, gave him his dinner when he came back.

“If the Abbot asks for more tax, I’ll throw my dinner at him.” she said, as the children slurped soup around the stove. The dogs were silent.

“Don’t desecrate the clergy.” said Amnye, but inside he agreed with her.

That night, the stars gleamed like the jewels of the Gods but a terrible thing happened. A howling whistle like a ghost’s lament came up from the pastures.  Amnye sat up with his gun and stood at the door and he saw every yak in the pasture dead. Still, black shadows under the moon.

“The Yeti!” he cried, as Momo came to his side, and the dogs growled like thunder. Amnye saw the black figure facing him, wheeling his arm with a yak pat on his head. Amnye knew who he was, pretending to be a man, calling him into the pasture so he could choke him to death.

“Demon! Murderer!” said Momo, spitting on the ground. The children woke up and huddled around them, staring at the dead yak and at the huge mi drong tearing up the hill, his whistles howling in the the wind. Amnye packed a bag of tsampa flour, slung it on his back with his rifle.

“Don’t go.” begged Momo, “He will take you as well!”

The little ones tugged at their Pala’s thick chuba coat, but Amnye would stop at nothing, after this third attack the yeti had made on the village. In the morning, the monks prayed for Amnye and the Abbot did not ask for tax. They said they understood if he had to kill. They had seen such things since the Han soldiers had marched into their land. Amnye’s boots crunched over the crumbling rocks on the pass, and the white peak of the Goddess mountain gleamed like a knife under the moon . Amnye knew the crack in the mountain where the yeti lived, and where he had taken his cousin’s daughters three years before.

Amnye stopped at the creak for his tsampa, and lit a small fire in the crevice, A yeti knew fire. He would smell the smoke but Amnye was ready. He clutched his rifle, the one he’d had since the sky fell down and the wolves howled on the Goddess Mountain. Since the Han came. The sky had never risen again, and all Amnye had known was misfortune. Now, twenty yak were dead and his family would starve in the winter. With all his thoughts of war and enemies, a shadow fell over him.

“The mi-drong is a sentient being. do not take your gun to the cave. He will lead you to the right path.”

Amnye bowed to the lama, who stood before him. But inside, he was angry. The lama had grey hair in a knot and a grey beard draped to his waist and his chest was shiny and strong.

“How am I to avenge the murder of my herd? And the two women robbed?”
“Take your prayer wheel.” said the lama, and vanished into the shadows. Amnye did not have his prayer wheel.  He had his rifle.  In the morning, he saw the eagle in the sky and it swooped down and scratched his bushy hair.

“Ah, ah! Why do you threaten me when I am right!? The Goddess would not afflict me like this!”

The eagle turned and stared in to his eyes, hovering right in front of him on the path.

“You should listen to the lama! Retreat! Bring only your prayer beads, old man…” he swooped away, high in the sky, and danced around the Goddess’s peak.

Amnye reached the peak, and icy winds bit his cheeks, and his tsampa was empty. He saw the Yeti, mocking him, with a yak pat on his head, wheeling his arm around and whistling terribly. Amnye pulled his rifle up, and aimed at the heart, as the Yeti thundered towards him, his sharp white teeth gleaming in the sun, his hairy body dull and thick, his shoulders no man had the back to carry.  He slung Amnye over the hairy shoulder, like a piece of meat. Like every other victim, he was carried into the cave of the Goddess mountain.

Amnye woke in the dark. His cousin’s two sisters were making yak soup on the fire.

“This is where you have been? Why don’t you escape?”
“Our life is good here, Amnye.”

Their minds have been made simple by that monster, Amnye thought. One of them, the salt trader’s girl, was pregnant. It was unimaginable. Amnye searched for his rifle. It was gone. Instead, in his sack, he found his prayer wheel and his prayer beads. He had not packed them, but  there they were . He swung his prayer wheel, around and prayed for peace. He prayed for his life, and for the lives of his cousins’ sisters, and the lives of the people in his family, and for the people in the village, and the yak to be reborn in De Wa Chen, the Western Paradise. He prayed for the end of the wrath of the Yeti.

But a gleaming white figure sailed in through the crack of the cave, tall and shimmering, with silken black hair and eyes as deep as the Turquoise lakes. Her body was slender and wispy…the Goddess of the Mountain.

“Welcome,” she said, “to the mountain. We knew you would come.” she swirled around, as the Yeti came in. “Here you will stay with us, and pray with us.”

Amnye’s mother had always said he should never have been a yak herder. He had the mark of a lama on his ears, long and soft for listening to the sorrows of lost souls. His eyes filled with tears as the Goddess showed him his family climbing up the pathway to give him alms, a year after his capture.  Amnye had always known, but he had forgotten.  Pilgrims from far, far away came to the Goddess Mountain to seek advice from the wise sage Amnye, whose wisdom was as sharp as an eagle, whose strength was as mighty as the Yeti. His family was blessed with a new herd of yak, and the Abbot suspended taxes.  The Yeti served him, cooked for him and cleaned his cave and was even seen sitting with Amnye, spinning his prayer wheel under the snows of the Goddess mountain…

*

Biography

Síofra O’Donovan is a published author and an experienced writing workshop facilitator. She was writer in residence in Louth County Libraries and the G.A.A. club in Collon Co. Louth under the  Arts Council and Louth County Council from 2004-6. She is on the Writers in Schools Poetry Ireland panel and the Writers in Prisons panel. She  published Malinski,  a novel, (Lilliput Press, Dublin 2000),  and Pema and the Yak, a travelogue (Pilgrims Books, Varanasi and L.A., 2006). ‘She understands those strange and beautiful moments when the metaphors of poetry become literal in our lives, as children face the challenges of the adult world.’ Pr. Declan Kiberd, UCD.

Sheena Power: On the Matter of Dublin’s Gargoyle Population

Dublin is not quite as infested with gargoyles as some other European cities. This is a result of gargoyle-hunting, which was in vogue about a century ago. Being slow (one might say even motionless) creatures, hunting gargoyles required no speed and little skill. Sharp eyes and an axe did the trick.

It was a perfect after-dinner sport, when a gentle amble through winding alleys was enlivened with the hope of bagging a few specimens. As this pastime gained popularity, interest grew in the creatures themselves.

Their independence and love of window ledges suggested a kinship to cats, and so there was a brief movement to domesticate them. Gargoyle-fanciers vaunted them as uncomplaining and placid, but most people found them to be unaffectionate. In the end the venture failed due to their complete failure to breed in captivity.

Questions were eventually raised as to the ethics of gargoyle hunting. Claims that the gargoyles fed on roof-slates, and were to blame for the shoddy state of many church spires, were, frankly, taradiddles1. And not even Preston Blumenthal (a travelling chef and wizard of the time) served them for dinner more than once. Gargoyles, as we now know, contain little or nothing of nutritional value, and their flesh is exceedingly tough.

As a result of petitioning, gargoyles were eventually granted status as a protected species. Gargoyle hunting, as a sport requiring no perceptible movement, was superseded by golf. The remnants of what was once a healthy and thriving colony still cling to old buildings around the town. One would think, gazing about at the erstwhile nesting places of their former friends, the stony faces would look sad, but by and large they all look as though they are grinning to themselves. There is just no understanding gargoyles.

1 cobblers 2

2 balderdash 3

3 tommyrot 4

4 piffle 5

5 hogswash 6

6 codswallop 7

7 bilge 8

8 flim-flam 9

9 somewhat lacking in veracity

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Biography

Sheena Power is an illustrator from Dublin. Her work ranges from dragons on the cover of J.R.R. Tolkien: the Forest & the City, to Christmas cards for scientists. Although she draws for a living, her real love is writing. Her story Aurelia Aurita was published in Tales From The Forest; Ink Blot won the Bath Adhoc Competition, and her as-yet- unpublished novel was one of those selected for this year’s International Literary Festival’s Date With An Agent event.

Stephen Hill: The Sword is Nothing

While the land of Old Cuthald’un had but one language, there were many dialects that betrayed minor differences. One could attain a basic understand of each culture by contrasting their different meanings of the phrase:
Al kchuck mena sens alek starabanna galim aggrio
In the western isles, it translated simply and practically as “The winter wind yields but few rewards for the desperate man.”
To the east, it was a widely feared war cry. It was a proclamation of brute strength, stating that “Only the mighty can withstand the northern furies.”
The peaceful Southern swamp farmers educated their children with the same phrase. It taught them that “Wise families save half their bread for darker days”.
Over the centuries, the northern meaning of the phrase has been lost. However, it is believed to have some deep spiritual meaning as it is traditionally spoken by holy men during the burial rites.

Huddled near a small campfire on the ridge of the Devil Back Mountains is a hunter of eastern descent. His hand rests on a violent looking bastard sword and he is surrounded by a blizzard of lazy snowflakes. The blade’s point is buried deep in the snow, icicles having already formed along the ridge. The cold steel has been nicked many times, but it is well kept and lovingly sharpened. The wind screams in the hunter’s one remaining ear as the night chill cuts through his clothes. The air stabs painfully in his lungs, but his breath is steady. Beneath his cloak, he fingers a small copper coin. It feels warm in his hand.

He was thinking to himself, wondering what sort of monster might have killed that goat…

The freezing temperatures on Devil Back had preserved the unfortunate creature. Only the eyes had decayed away, over who knows how many days or weeks. Both of its horns had been snapped off, but there were no teeth or claw marks on the torso. Instead, its legs were mangled, as though it had fallen from a great height. But, as the hunter looked about him, there was nothing here to drop from. No overhang or ledges. It was curious…

He found himself thinking of swamp Basilisks. Slower than typical lizards, they could belch a poisonous gas that caused paralysis in its victims. However, despite being bigger than most dogs, their bulging eyes were considerably larger than their small stomachs.
And of course, they weren’t strong enough to drag large animals far. A lot of farmers in the south woke to find their cattle dead, but mostly intact. However, their flesh would be intoxicated and unfit for eating. Basilisks couldn’t survive the cold northern winds however. Maybe…

A sudden gust of wind threatened to put out the hunter’s campfire. He huddled closer and tried to kindle it as best he could. His mind strayed momentarily to warm fires and tankards brimming with Redwater whiskey.

…Maybe it had been a flying Mantrap. The hunter was familiar with these, having slain quite a few in the eastern mountains. The walking, insect-like varieties were large, stealthy hunters. They liked to hide in foliage with only their agape mouths showing. When unsuspecting victims would walk by, they charged as fast as their many legs could carry them, pounced and devoured their prey. The speed at which could crunch through bones was nightmarish. The flying Mantraps were smaller but louder, and considerably more aggressive. They had an extra set of teeth, used for tearing instead of chewing. The hunter remembered, scratching the remnants of his ear, he remembered how sharp they could be. They attacked in pairs, screeching and grabbing at prey with their talons. Once lifted high enough, they would drop them like stones in an ocean. They were sadistic creatures, but also hunters like him. They did not leave food to waste.

Still scratching at his mangled ear, the hunter stared at the goat searchingly. He had attempted to cut some meat from it for the fire, but the flesh was frozen solid. And though he was sure a Basilisk hadn’t poisoned it, he wasn’t eager for goat-meat until he knew how it had been killed.  He searched his memory for beasts native to the North, his hand returning inside his cloak to finger the coin. When he had been asked to slay the “Hillyss Monsarium”, the ‘Beast of the Mountain’ or ‘Monster of the Mountain’, he’d expected a Garriswulf. Larger than the Greywulf, Garriswulves were taller than horses and faster still. He’d heard stories of Garriswulves being ridden into battle centuries ago. It didn’t seem likely to him. He’d encountered one or two on his hunts. Evil creatures…
They could be outsmarted with the proper tools and a well-placed trap. He briefly recollected listening to a Garriswulf’s alternating snarl and whine as he stood atop a pit that he himself had lined with sharpened stakes. He pulled his travelling cloak tighter, appreciating their thick pelts in hindsight.

There would be none of that here, he thought to himself, glancing up and down Devil Back mountain ridge. Here, it would just be him, his sword and his reflexes. He wished it would find him soon… Whatever this creature was, he would be able to see it coming. Up here, there was nothing at all to see except the flurries of snow against the dark blue sky and the mountain itself. Whatever “Hillys Monsarium” was, it would die by his sword.

He flitted the coin between his fingers one last time before putting it in his pouch and rising from the fire. He would let it burn in the hopes it might attract the beast’s attention. He had nearly cleared the Devil Back and could see the Shoulder of Heaven rising before him in the distance. It would be a difficult climb, especially now that the wind was picking up. He stared at the high rise with a cautious dread.

A large snowflake landed below his eye and, after a moment’s pause, he reached up to crush it with his fingertip.

*

Biography

Stephen Hill is a writer living in Dublin. He writes and edits articles online for web-site Bone-idle, contributes to underground zine The Runt and occasionally writes a barbed comment on the Twitter. He aims to get published someday, with his own line of Young Adult horror novellas (a la  Goosebumps)

Aisling Lynch: A Brief Summary of The Brian Monster Face

Over the years, the general description of the Brian Monster Face has become somewhat misleading through several layers of urban legend and heaps of exaggeration by certain public servants. Below is a direct quote from a private citizen with first hand experience of the creature.

“Don’t get me started on this Brian Monster Face chap, he’s rather a silly creature. He can go eat the most vile, vomit inducing worms out of the cold hard ground. He is a menace to society and must be stopped. No bakery within 10 miles of him is safe.”[1]

As far as the human race knows, there is only one of the species in existence. He has the complexion of a wild boar in spring time and often times, in the personal opinion of this reporter, the temperament of an angry beaver.

A strange, baffling creature with many flaws to note that impair the quality of life for those around him, the Brian Monster Face is known for his thieving and scalwaggery which he (quite disgustingly) practices openly against the general public. However, scientists have argued for years that the Brian Monster Face is one of the most docile creatures on planet earth. If you should ever find yourself face to face with a charging, semi-irate Brian Monster Face all that is required to subdue this raging hormonal beast is a well timed scratch behind the ears or a well aimed chocolate projectile.

Despite his coarse nature the Brian Monster Face has fascinated zoologists and scientists with his ability to adapt to most harsh environments. Like a snake in the Sahara, the Brian Monster Face will shed his skin for another more befitting of the climate, or to protect itself from vicious enemies (such as Steve Dragons or Film Critics). This reporter has personally seen him don scales, porcupine spikes, fur, and crystal skin.

However awesome this ability may be, this prevents the Brian Monster Face from enjoying most physical contact from humans and even animals. People have been left scarred by simple hugs, bunnies and kittens flee from the prospect of his touch. It is a lonely life for the Brian Monster Face.

Another amazing feature of the Brian Monster Face, as well as his ability to adapt, is his general rapidly changing physiology. The Brian Monster Face is prone to almost instant evolution whenever it feels up to it really. This has resulted in some fascinating features that have left wildlife photographers dumbfounded. For example; some say the Brian Monster Face once had a pair of magnificent deer horns on his head which subsequently rotted away to give ample balance for two large bat wings on either side of his face.

It has also been rumoured that his teeth are made of an unbreakable stone, apparently set by a tribe of mountain trolls after an altercation with a Minotaur caused him to lose the original ones (allegedly he lost them during after losing a vicious game of scrabble but at present there are no witness accounts of the ordeal to prove this to be true).

There has been photographic evidence of a tail, once the most famous trait of the Brian Monster Face. It was reported to be about 5 feet tall, the colour of moss and as bushy as something incredibly bushy. As magnificent as it may sound, the tail was actually a haven for termites, lice and the occasional garden snake. In fact, some rumours on the tail have suggested there was a thriving society of woodland creatures living within its furry tresses that eventually migrated to the beard region of the Brian Monster Face.

The tail also had a pungent tip which we believe was originally intended to paralyze enemies of the Brian Monster Face although this never really proved to be an effective weapon. Witness accounts have revealed that the spores on the tail’s tip only released a mild stimulant that smelled vaguely of marshmallows[2], all it really did was attract bears. Eventually the tail wore itself down and all that remains of it is a small tuft of mossy fur just above the fearsome buttocks of the Brian Monster Face.

Specialists at the Centre for Strange and Freaky Animals are still trying to pin down all of the physiological and emotional traits of the Brian Monster Face. However, studies have abruptly stopped due to his recent escape from an isolated prison off the coast of Alaska.

It is the hope of all of us hard working people at the CSFA that the Brian Monster Face will be caught, brought to justice for the 237 worldwide cookie thefts and studied further for hardcore science-y reasons[3]

So, what other mysteries will this strange beast reveal to us? What unearthly, bewildering act will he horrify the world with next?

Only time will tell.

[1] Stephen Hill, Interview with a Stephen, 2014

[2] The Brian Monster Face is said to live only on processed food and baked goods and uses the scents of them, we assume, for hunting purposes. We are unsure if he is aware that this comes across as very silly.

[3] Sir Elderdandy Stranglefoot the Third, Founding Member of the CSFA, 2014

*

Biography

Aisling Lynch is a licenced daydreamer and full time practitioner of nonsense. Sometimes she writes it down. Sometimes she doesn’t and eats a sandwich.

The Brian Monster Face has been known to write fiction of his own.

Brian Dunster: Black

On the darkest planet, deep inside its darkest cave, dwells a creature with the darkest soul. It is known throughout the cosmos as the single most darkest thing in existence. The creature itself has never been seen, though some claim it is at least two hundred feet long with serpent wings. The stories are often varied depending on who is telling them. But they are made only to frighten little children. The stories made to frighten adults are far more terrifying.

It is true that the creature has never been seen, it has no physical form we could possibly recognise. But its presence, as you near the planet, is unmistakable. A sudden frost sweeps over the heart and the mouth begins to taste of ash. The body turns to stone and the mind forgets the simplest things, such as breathing. You’ll feel utterly alone, yet convinced something is watching in the shadows. It’ll drain you of love, happiness, and ambition, leaving behind only fear, helplessness, anger, and an empty shell of flesh to rot in the void.

Many people have gone in search of the creature with the darkest soul. Some for fame and glory. Others hoping to make their fortune. A soul as black as the darkest corners of space would fetch quite a price. But all those who tried were never heard from again. Their curiosity consumed them. Their greed twisted them. They must have known they were doomed from the beginning. No being can withstand the creature. Its pull is too strong. Its hunger too great. Only fools venture into the stars to find it, and lend themselves to its legend when they don’t return.

But I have something that they did not have. A plan. A way to deflect the creature’s natural ability to consume a human soul. I spent years developing the proper shielding, perfecting its design, running thousands of tests, calculating every possible variable, programming every conceivable frequency. And unlike the others who came before me, seeking riches and infamy, my quest is pure. I merely wish to study the creature and to understand it. I want to learn all I can and return to publish my findings. I won’t end up in another fool’s campfire story. And once I regain control of my body, I’ll be able to do what no other human could, I’ll bring back that creature’s soul and laugh in the faces of those who laughed in mine. They’ll see. They’ll remember me. And they’ll regret everything.

*

Biography

Brian Dunster studied in the art of screenwriting, and when he’s not writing for the silver screen he likes to delve into the world of short fictional prose. To misquote Andy Dufresne, “You either get busy writing, or get busy dying.” You can find some of his short films at https://vimeo.com/briandunster

Brian has also been documented in the wild.