Kevin Nolan; Flavescent,Flammeous

Flavescent

A colourable moon perspires down

on a foreign country.

 

A road surrounds an Anglican church –

the door swings open and a distant high pitched sound gets higher.

 

The air is wet with Ave Marias, a solitary singer searchingly fingers her

 soul and moans low while city foxes dash by dizzy and wild-eyed with

 questioning snouts.

 

Sitting near on footpath

are two people, in love, smiling at each other, knowing each other

emphatically.

 

In one beats a heart:

Its drawers swing open and shut in slow motion, catch imaginary

snowflakes, which melt and leak down to collect in the swells of her eyes

opening like butterflies.

 

The other’s heart

is wet with vitality, desperate in its countenance

opening and reaching out to her like a legousia flower to the heat

of flavescent moonlight.

*

Flammeous

tonight it became uncontrollably obvious,

so I accept it

like a vampire victim

giving in to the blissful pleasure of a death kiss

we’re fucked

 

its happened

 

we’ve fallen

 

so far down

into love

 

effortlessly it took control of you and me

 

no effort could have stopped it

no effort was made

to expose it as it hid

 

biding benign inside us

 

and by making no effort

to stop it

we became its accomplice

 

in the darkness and the heat,

in the trembling, and the suffocating

in that quenching intimacy

where

 

so far down

 I found you

 

in purest form,

uncontaminated state

 

buried

so deep

a part one can never find in isolation,

for each forever standing

in the way of ourselves

till

someone comes along

finds it in us and gifts it to us

*

Biography

Kevin Nolan, Dublin born, holds an honours degree in Pure Philosophy from The Milltown Institute, and also received a Philosophy through literature diploma there. All in all, he spent six years studying Philosophy. He then studied Fine Art in the National College of Art and Design in conceptual art and film.  His writing has appeared in Colony, The Galway Review, Skylight 47, Bard, The Shine Newsletter, Studies, Decanto Magazine / Anthology (England), The Jack Kerouac Family Association Newsletter, Yareah Magazine (Italy), among other journals.  Nolan is also a singer/composer and has been played predominantly by John Kelly on The JK Ensemble. His debut album Fredrick & The Golden Dawn on which he duets with choice award winning singer Julie Feeney received highly acclaimed reviews both in Ireland and abroad. www.kevinnolan.info

Elizabeth O’Connell-Thompson; Failure To Thrive, Halo

Failure To Thrive 

I go to visit what we planted last summer,

            but it hides from harvest.

 

Those sown by other hands have made good use

            of the heavy rains, the slick earthworm’s burrows;

 

their stalks are waist-high and most have shed the thorns

            they used to crawl through the dirt to sunlight.

 

Among these blades are trampled seedlings,

            scorched shoots—none of them mine.

 

That moss-bearded man had promised me

            a blue and prickly thing, slow-grown and moody.

 

When it was still a sleeping bulb I found it in a glossary:

            Gardener’s Holy Grail. Thrives without special care.

 

I walk home to find the mint drowned in its bed,

            the violets torn from their roots.

 

Across my doorstep: yellow pollen thick as snow.

*

Halo

I awake to a morning without sky,

            the trees weighted down with blue snow.

 

A woman hurries from one lamp post to darkness and again,

            her boot soles the orange of life vests, of hazard lights.

 

I wait until the horizon returns,

            then find my footing in the prints she left behind.

.

Whatever is the opposite of a shadow stretches out

            behind you on the wall.

 

My glasses are still fogged,

            but I take the warm mug from your hands.

 

We settle in,

            we begin.

*

Biography

Elizabeth O’Connell-Thompson lives in Chicago, where she is the Literary Coordinator of the CHIPRC and a Poetry Ambassador for the Poetry Foundation. Her work has been published in RHINOBanshee, Front Porch Journal, and The Best New British and Irish Poets, among others. Her chapbook will be released with Dancing Girl Press in late 2017. Get in touch at EOTwrites.com

Hiram Larew

*

The Power of Poetry

Poetry doesn’t vote.  It can’t rule.  It sits on no juries.  It signs nothing into law.  It runs no companies or houses of worship.  And, it never ever wins an Academy award.  On all of these fronts that matter, poetry is powerless.  And for that very reason, of course, it is incredibly powerful.

Poetry is our trees, our anger, your life, my death.  It’s the birds that stitch air.  It’s the soul of night, the feast of day, and that ever present caution that’s careless.  Poetry doesn’t decide.  It doesn’t provide.  If it answers at all, it does so with questions.  And, to be honest, poetry doesn’t care; it cares as deeply as wells do, yes, but it never brings you water.  It wants nothing from you except wanting – this is probably its most gifting power.

And it soars, when allowed to, over just about anything else we can imagine.  It’s not the clouds themselves so much, but our need for them.   Said all at once, poetry is powerful for what it cannot be, and for the dreams it wants.

If you should ever encounter a poem that makes you jump, ask yourself why.  Most likely, the answer – if there is one – will be from so far-fully inside you that ancestors will wink.

Finally, poetry is really nowhere and so it’s just about everywhere around us.  It lives in the corner of your eye.  It rents most all of your willingness from you.  It aches with whatever is gone.  And, it cheers – even raves – for what may never be.  Thank goodness – and badness – for poetry, and for our never being completely sure how powerfully potent it really is.

*

Biography

Larew’s poems have appeared most recently in Honest Ulsterman, Amsterdam Quarterly, vox poetica, Every Day Poems, The Seminary Ridge Review, Shot Glass, Forth Magazine and Viator.  He lives in Maryland, USA. His Facebook page is at https://www.facebook.com/hiramlarewpoet/

Carmina Masoliver

*

Looking At The Same Thing

Singing on the back of your motorbike

through mountains, my favourite memories

 

surprise me. The return of love, like it never left,

you holding me in each and every bed,

 

except the ones without air-con to cool us,

where we laid like starfish, salty skin

 

and the heat is never something you can picture,

but this winter, I think back to summer shorts,

 

only wearing sleeves to show respect,

the land abundant with temples,

 

rice fields, motorbikes, smells

distinct to every country.

 

We were tested with con-men, swaying boats,

sea urchins, our own minds. Somehow

 

we coped, we survived and now we are back,

wanting to keep these memories alive. And sometimes

 

it’s the snapshots of everyday, changing landscapes,

we walked through side-by-side, for the most part.

 

Rolling shrimp in rice-paper with satay dripping off,

the sweetest popcorn at the cinema.

 

At other times, it was like we were dropped

into a postcard, and I question reality

 

when I think of the blue of that water,

the kindness of strangers, the feeling

 

of swallowing beer in a hammock,

of tasting the food from the side of the road.

 

We are back now, but let’s never stop

climbing mountains, taking in views,

 

plunging into unknown water.

*

Biography

Carmina Masoliver is a poet and teacher from London, England. She is founder of She Grrrowls feminist arts night, and is a regular contributor to The Norwich Radical. Her work has been published in various magazines and anthologies, such as Popshot, and her chapbook was published by Nasty Little Press in 2014. She has featured at events including Bang Said the Gun, Latitude, Lovebox, Bestival and Goldsmith University’s The Place for Poetry. She has facilitated workshops independently, as well as whilst shadowing Ross Sutherland, Niall O’Sullivan, and Michael Rosen. She currently lives and works in Córdoba, Spain.

www.carminamasoliver.com

www.shegrrrowls.tumblr.com

@CarminaPoetry

@shegrrrowls


 

Margarita Serafimova

Five Unnamed Poems

*

I was going up and down the garden,

between glimpses of flowers and my thoughts of you.

You were giving me death, the times were giving me light.

I was making circles as an earth.

*

Spring came,

but you did not come to your senses.

The bloom left you behind.

 *

I knew now where this love was going –

it was re-entering the cells of my eyes,

it was permeating my irises, infiltrating their lights and colours.

It was washing their clearness and depths in tears,

and they were glistening, ready for the sight of

the air, mighty with empty vividness, over the Homeric seas.

 *

All forces of reality –

the breath of the sea, the crystalline shoots of the tamarisk –

were converging, and in clear mute voices speaking to me:

You live in order to live.

*

Mountains and deer are sending snow

because they care for our renewal.

We sleep in their cold, sumptuously curled up

as in an embrace of oneself.

*

Biography

Margarita Serafimova has published one book of poetry, “Animals and Other Gods”, in the Bulgarian (Sofia University Press, 2016). Her second book, “Demons and World”, also in the Bulgarian, is forthcoming in May 2017 (Black Flamingo Publishing, Sofia). In English, pieces of Margarita’s have appeared in Outsider Poetry, Heavy Athletics, Anti-Heroin Chic, the Peacock Journal, Noble / Gas Quarterly, In Between Hangovers, Window Quarterly/ Patient Sounds, with others forthcoming in The Voices Project, Obra/ Artifact, The MockingHeart Review, London Grip New Poetry, and The Birds We Piled Loosely. Margarita is a human rights lawyer. Facebook: https://www.facebook.com/MargaritaISerafimova/

Robert Ford

*

In The Moment

The kids are in love, and so sweetly

you can see it melting out of them,

see gravity getting smashed into

a million pieces beneath their feet

as they bounce along, occasionally

touching down because they can.

 

In their free hands, the ones not

holding the other’s, they clutch balloons

painted in colours we can no longer see,

inflated with their restless thoughts of

an unmapped future, raw materials

yet to be processed into anxieties.

 

Don’t you remember the first days of our

being? The damage we caused to gravity?

Our balloons? How the brilliant shock

of it interrupted time itself, and made

the future evaporate, while we failed to

notice ourselves not breathing properly?

*

Biography

Robert Ford lives on the east coast of Scotland. His poetry has appeared in both print and online publications in the UK and US, including Antiphon, Clear PoetryWhale Road Review and Ink, Sweat and Tears. More of his work can be found at https://wezzlehead.wordpress.com/

Bee Smith

*

I Was A Peculiar Woman Child
 

After I discovered Emily Dickinson

At age eleven

I took to writing cryptic poems

with a homemade quill,

a seagull feather nib

dipped into a bottle of Quink.

 

On Sunday nights for Bonanza

I donned a pioneer dress and sunbonnet

made for my sister to wear

in a sesquicentennial pageant.

I liked to immerse myself

In full period dress for TV.

 

Just as my bosoms budded,

my brothers’ burst into off key renditions

Barbara is Bustin’Out All Over,

twanging the straps of my training bra,

I became obsessed with the past,

the kind at least a century old

 

before hot pants and halter tops

flip flops on hot sidewalks

the flush of shame at strange men’s eyes

looking at me as I walked down Chestnut Street,

arms loaded with library books,

their wolf whistles sounding like cat calls.

*

Biography

Bee Smith facilitates Word Alchemy Creative Writing Workshops in West Cavan and is on the Irish Art Council’s Writers in Prisons panel. Her articles can be found widely across the blogosphere. She is the author of “Brigid’s Way: Celtic Reflections on the Divine Feminine” available as an ebook on Amazon. BrigidsWay.

Jennifer O’Kelly

*

Bedsheets in the blue

I tossed my sheets into the ocean

when you left

this time

 

I heard you insist

it was I

who was leaving

I

who went seeking

out

the        sky

above

the        water

as my bedroom.

 

Grain, or grandeur?

Gibbous names

for a need

for the waves

and new places to sleep.

 

Did you think we might keep

churning sheets

and our fortunes

into rolling, silver, drum,

while the moon

and her son

tossed my pulse

in our blankets?

and I,

in my anguish,

yearned to grey,

for the sands

washed away

by the depths

of our safety?

Loved on(c)e,

lately

This

detergent

on my palms

has been leaving

hands itching

You pass me

More sterile boxed powders

neat stitching

 

and leave me

 

with no

stay

or no

go

 

The only way I know

Is this

bright splay

of bed sheets in the blue

Giving up on the gone

casting out for the new and

sucking

this

crisp

fabric

 

dimpled.

Nursing sea-salt

from the threads that we pulled tight

to hold six skies

together.

*

Biography

Jennifer O’Kelly is an Irish poet originally from Cork. She holds a Masters degree in Philosophy and is interested in the work of Patti Smith and Leonard Cohen, among many others.

Shauna Getlevog

*

Drawing Constellations

there’s always room for the unpredictable, darling.

it could happen anytime, anywhere;
you’re sitting at the bus stop,
on the dark, grey wall;
pale legs dangling over the edge,
kicking back and forth,
it’s almost a defense mechanism.

your blonde, curly hair blowing in the salt air
breezes,
there’s rose petals in your veins

you don’t see him at first;
his black leather jacket, and his
dark brown hair,
falling into his eyes;
his freckles are stars.
His hands rough and calloused from too
many nights with his guitar,
you feel them against your soft ones;
a gentle brush, not much,
but you know,
don’t you?
it’s love.

*

Biography

Shauna Getlevog is an 18 year old female student from Ireland.

Zoe Siobhan Howarth-Lowe

*

All These Years I Was Looking For The Woman I Wanted To Marry

All of my relationships have been high energy

– energy rushing in

– energy draining away

the same build ups of –

the same bursts,

crackles,

blinking away into nothing.

 

 

Energy propelling me

through failure after failure

towards an act of                     correction.

 

I get bogged down in stereotypes

forced into dogmatic –

I crack under                            knick-knacks

taking up a stance

behind

whining voices – discussing the weather.

 

I get drunk,

but don’t care

lost in my own world of erratic…

 

That night,                               Nothing happened

the next day –                          Everything.

*

Biography

Zoë is a Poet and Mum from Dukinfield. Her work has appeared in Magma, Curly Mind, Clear Poetry, Lakeview Journal, Interpreter’s House and The Lake. She also enjoys wargaming, painting models and scrapbooking.