Edward O’Dwyer

*
The Proof

after Marine Richard

 

In the loneliest moments

I will my body

to crumple, fold itself up origami-like,

do it so exquisitely

as to shrink and shrink

and finally vanish, pierce the chink

in the armour of physical law.

 

The city caused me heart palpitations

and nausea and migraines

and I could take no more,

so I left it behind,

came to a converted barn

with no electricity

in the mountains of southwest France,

 

where those cellular towers

are far off, where

an electromagnetic signal

hasn’t any business.

 

There are no emails out here

needing sending, no one asking

for a password for wi-fi,

 

but I miss Toulouse greatly,

the hubbub of its streets

teeming with people,

the urgency

and impatience of that life,

all its swirls of noise and colour,

all its little validations.

 

If I go to my door and scream,

no one is going to hear me.

I’ve done it plenty.

Nothing at all will stir,

the wind’s whistle

won’t even flinch.

 

Each day I go to the mirror

to see that I still exist,

then pass the night

convincing myself

the reflected image

of my body

is the proof.

*

Biography

Edward O’Dwyer has poetry published in journals throughout the world, such as The Forward Book of PoetryPoetry Ireland ReviewThe Manchester ReviewA Hudson View Poetry Digest, and Even The Daybreak – 35 Years of Salmon Poetry. His debut collection, The Rain on Cruise’s Street (2014), is published by Salmon Poetry. The follow-up will appear in April 2017.

Tom Dredge

*
Shapes

His first venture was in a square.

It was such a thrill to explore,

meeting people, drinking beer

until one day he hit a wall.

It seemed then all learning was done.

 

He took experience to a circle.

The people there thought he was square,

so he set out, knapsack on back,

to see the world, but hit a wall again.

 

After months of soul-searching

he followed the light of an inner circle

of smaller perimeter, journeyed

on and on endlessly, gathering

the fragrance of spring, the sweet

wine of summer, until one day

he came to the house of fun, where

he took time out from contemplation.

 

Slowly the radius of stars, the order

of spheres, the vastness of thought, fused

with the harmony of flesh, the beauty

of music, the luxury of taste.

When he left he was ready to face the end

ready to face the beginning.

*

Biography

Tom Dredge is a member of the Boyne Writers Group and Bealtaine Writers Group and lives in Kildare. His poetry has appeared in Boyne Berries, Revival, Ó Bhéal Five Word, Skylight 47 and the WOW Anthology. He also received commendations and was third in the Frances Browne Multilingual Poetry Competition.

Colin Dardis

*
Home for Stars

Every star

needs to fall

into a constellation,

the blessed union

of imaginary lines

crafting a framework

of belonging;

the lattice,

the cradle,

the makeshift bed

to find contentment in;

the persistent home

resistant against

all comets,

a corner of the sky

to call home

and be called to.

*

On Mistakes

I make my drawings

in permanent marker.

 

I draw fast,

lopping arcs of pendulum ink

swing across the page.

 

A line goes out of orbit.

You work with your mistakes,

blend them into the whole,

another word in the silent poetry.

 

You cannot erase,

as art reflects life,

little chance

for corrections.

Hold the artist accountable.

 

Let the canvas be my guilt.

*

Biography

Colin Dardis is a poet, editor and freelance arts facilitator based in Belfast. His work has been published widely throughout Ireland, the UK and USA. He was a 2015-16 ACES recipient from Arts Council Northern Ireland. A collection is forthcoming from Eyewear Publishing in 2017.Coline also co-runs Poetry NI and is the editor for Lagan Online.  www.colindardispoet.co.uk

 

Linda Crate

*

threw you out of the car

i didn’t want to netflix and chill

was having a difficult

night,

and i just wanted to walk

out all this

depression;

i felt—

but you insisted that i needed to take

a trip to your room

where

you proceeded to try to put the moves

on me and i resisted

trying desperately to watch a movie

i wasn’t even interested in if it

meant escaping the kiss

you tried to put on my lips,

and as if that weren’t

crossing enough

boundaries that you ought not have;

you forced me to touch your

dick—

i was so shocked that i couldn’t react,

but i was and am and forever will be

angry that there are men

like you in the world;

trying to take advantage of vulnerable girls

who simply want someone to talk to

in their time

of need—

didn’t want to be the casuality of

a hit and run so i threw you

out of the car.

*

Biography

Linda M. Crate is a Pennsylvanian native born in Pittsburgh yet raised in the rural town of Conneautville. Her poetry, short stories, articles, and reviews have been published in a myriad of magazines both online and in print. Recently her two chapbooks A Mermaid Crashing Into Dawn (Fowlpox Press – June 2013) and Less Than A Man (The Camel Saloon – January 2014) were published. Her fantasy novel Blood & Magic was published in March 2015. The second novel of this series Dragons & Magic was published in October 2015. Her third novel Centaurs & Magic was published November 2016. Her poetry collection Sing Your Own Song is forthcoming through Barometric Pressures Series.

 

Brian Beatty

*
The Devil You Know

 

A familiar shadow

follows you room to room

dark from keeping

your secrets.

 

Like a dog

that won’t stop barking.

A dog that growls even in its sleep.

 

But only you seem to notice this best friend.

There’s no escaping that kind

 

of loyalty. You locked every door.

 *

Museum of Night and Day

 

Life isn’t meant to be lived

in silence, looking only

straight ahead, squinting

to read the fine print

 

of exhibit descriptions.

Or so said the painter a little too tightly

wound up in his latest canvas.

 

Then, with no warning and using just his teeth,

he sent brushes flying out a nearby window.

 

None of us made a sound.

*

Biography

Brian Beatty’s poems and stories have appeared in numerous print and online publications, including The Bark, Conduit, Dark Mountain (England), The Evergreen Review, Forklift Ohio, Gigantic, The Glasgow Review of Books (Scotland), Great Walks(Australia), Gulf Coast, Hobart, McSweeney’s, Midwestern Gothic, The Moth (Ireland), Opium, Paper Darts, Phoebe, Poetry City USA, The Quarterly, RHINO, Seventeen, Southern Poetry Review, Sycamore Review and Word Riot.

Beatty is the author of the collections Coyotes I Couldn’t See (Red Bird Chapbooks, 2016) and Brazil, Indiana (Kelsay Books/Aldrich Press, forthcoming). He lives in St. Paul, Minnesota.

 

Síle Keane: New Spawn

*

Tadpoles flit across the pool

their gelatinous cloak long since thrown off.

Tail intact, new legs pumping,

bulbous and begging to be squeezed between finger and thumb.

But we don’t.

For poignant memories of spawn forgotten in jars, bodies crushed accidentally,

or left like seaweed bladders crusting on dry stones

has seasoned us with a kind of respect.

 

We balance, squat like laying hens, enraptured.

Then,

fingertips break water

a quick scoop with precise speed

hands cupped just right

learned from long summers poised on the edge for hours.

We hold that cupped pool of water

watching that tadpole jerking around in its new smaller world.

Reluctantly we set it free, carefully, before curiosity becomes cruelty.

That knowledge, instinctive and as natural as breathing,

lost now forever in the squall of clicking and browsing.

*

Biography

Síle Keane was born and raised in Galway, Ireland. She currently enjoys life in Wicklow with her husband and young son.

Erik Nelson: Crossing Willow Creek (parts 5-8)

Parts 1 – 4 

*

Part Five: Where No Brick Has Ever Been Laid

With bodies wary of attacks,

And though they’re very tired,

The people carry, on their backs,

Commodities acquired,

Superfluities they couldn’t spare,

Beloved souvenirs of Babylon,

An oddity here, another there:

Whatever ridiculous sin qua non.

 

They’re going where they’ve heard it’s green,

Where only beasts and birds have been,

Where human bones were never buried

And no couples were ever married,

Where not one stone has ever been stacked

Upon another or been attacked:

Where no brickwork has echoed human sound

Or ever known being thrown to the ground.

*

Part Six: Past the Last Poplar Trees

Where once were trees, dead stumps abound,

And nothing new grows from the ground:

So the people are curst to escape

Their very bad and worsening shape.

 

Lugging their idols down the roads,

They carry their most cherished goods,

Transporting their accursed loads,

Abandoning their neighborhoods.

 

All cramped up in their caravans,

They camp, as they travel, in tents,

Pursuing uncertain plans

Over a desert of laments.

 

Curst to neither disperse nor fade,

Pitch black clouds hover atop,

Which cast an everlasting shade

But lack, however, one drop;

They keep all covered and shrouded in gloom

And seem to herald quietus and doom.

 

Men’s streams of consciousness are full of pollution,

But leaders devise less soulish of solutions,

For followers aren’t easy to find

Or spirits easy to raise,

With dark matter over mind

And dreams being hard to come by these days.

 

Through the dust, the herds or crowds

Continue onwards, en route

To streams far past these dark clouds

And what they cast: shades of doubt.

 

Ere dreams and last hopes fade out,

They go where they’ve heard there’s no drought:

To a land of birds, grasshoppers, bees

And streams just past the last poplar trees.

*

Part Seven: Where They, At Last, Can Stay

“Deliver us from the evil one,”

They’d prayed but hell-fire fanned;

So rivers burned, under the sun,

Until they turned to sand.

The vegetation’s dead and gone,

Due to the nation Babylon.

Grass has withered; springs have dried:

Everything she touched has died.

So people pack upon their backs

And drag behind in trunks

Their bric-a-brac and their knick-knacks,

Within a word, their junk.

 

They’re going where the land is green,

More lush than human eye has seen,

Far away from corrupted hands

And hellishly dry desert sands:

An oasis on the outskirts

Of a story-book-like forest,

Where murmuring brooks, wind and birds

Join forces to form a chorus:

Not far past over yonder,

Not far past far away,

Where they won’t have to wander,

Where they, at last, can stay.

*

Part Eight: Beyond the Dune of Lilith

The world did not pan out as planned,

So they swim against the tide

Of this merciless sea of sand,

Full of emptiness inside.

 

By day they burn beneath the heat

While traversing this danger zone;

At night a shivering, winding sheet

Descends and chills them to the bone.

 

They say each head they will anoint

With oils of new gladness

And pray their dreams won’t disappoint

Or spoil into madness.

 

They would reach ripe grapes upon vines

And fresh, cool streams, at which they wish

To be the first of future lines

To quench their thirst and dine on fish.

 

They pay attention to each sign,

So cups they soon may fill with

Water that’s clean and wine that’s fine:

Beyond the Dune of Lilith.

*

To Be Continued

*

Biography

Erik Nelson was born in Madison, WI, in 1974, grew up in British Columbia, Canada, as well as several states in the United States, before obtaining a Masters degree in Literary Theory from the University of Dalarna, in Falun, Sweden; he then taught English at the college level in the deep south of the United States for ten years, before moving to the high plains of Colorado, where he currently lives, lucubrates and works as a librarian.

Clifton Redmond: Street Wars

 

*

We played war games, imagined
armies, lined up along the fence
of the council field behind our estate.
Shot plastic machine guns
that scratched and hissed,
spit sparks when we squeezed the trigger.
Pulled invisible pins
lobbed stone grenades.

Lay down, trenched in piles
of waste gravel from the building site,
crawled on our hands and knees
along gripes, under ditches;
an American platoon, trapped
on battlefields of Kosovo and Vietnam,
thousands of Russians, Vietnamese
and Japanese shooting us.

On the street after dark
we were the I.R.A,. disguised
as civilians, planting mud bombs
beneath parked cars,
ridding the country of the Brits,
when we won we sang the songs
our fathers sang
when they were drunk.

When the war ended we played football,
the F.A. Cup final at Wembley,
Man United versus Liverpool,
argued over who was captain,
who would get the cup from the Queen,
we all wanted to be Fowler,
Redknapp, Macmanaman, Barnes,
all wanted to be heroes.

*

Biography

Clifton Redmond is an Irish poet and member of The Carlow Writer’s Co-operative. He has had poems published in various literary journals both in Ireland and internationally.

Patrick Walsh: Sleep, Walker

*
As a boy I’d fall asleep with my stomach to the bed,
An arm and opposite leg pitched at right angles, my head
Turned to face my hand and hidden underneath a pillow.
 
A full-time infantryman in those days, I was training —
And didn’t mind the gentle way my weight was dispersed, although
I held that position long after my neck was straining.
 
I’d hear the whoosh of footsteps in tall grass, a loping stride
Relayed through the mattress, floorboards, and from the other side
Of the earth: I had awakened it again, some dread beast
Who had fixed the place I slept, though it would take years at least . . .
 
Older, I understood the sound of steps I used to fear
Was my pulse.  And, older still, I know that thud in my ear
 
Is the enemy, just a boy with a simple order,
And me walking out, unarmed, to accept his surrender.
*
Biography
After graduating college, Patrick Walsh served four years as an infantry officer in the U.S. Army’s 25th Infantry Division.  He later returned to school to receive an M.Phil. in Anglo-Irish literature from the University of Dublin, Trinity College.  In America, his poems have appeared in Barrow StreetThe Christian Science Monitor, Cimarron ReviewEvergreen ReviewThe Hudson ReviewThe Recorder, and War, Literature & the Arts.  His work has also appeared in College Green, The Malahat ReviewTHE SHOpPoetry New Zealand, Fred Johnston’s “Markings” page in The Galway Advertiser, and The Quadrant Book of Poetry, 2001-2010.

Bennet McNiff: Why I Don’t Go Into The Woods

*

There are bears there.
A boy I knew went there and never came back.
He would be forty-two now.
It is completely dark there.
You could get lost.
I am afraid of the dark.
Some say that trolls walk the wood
At midnight, forty-foot trolls
With green, luminous skin, and slimy scales.
They can eat a man
Like a child munching a carrot.
It is quiet in the forest. Too quiet.
Something bad must be happening there.

*

Biography

Bennet McNiff lives in Drogheda, with his wife and two children. He was shortlisted for the 2015 Listowel Single Poem competition, and won first prize for poetry in the 2015 Over The Edge New Writer of The Year competition. He has published poetry in Skylight 47, and in The Galway Review. He works in Dublin as a software engineer.